Just before we went to press with this issue, we heard the news that Allan Holdsworth had died.
There are very few guitarists who played such an important role in shaping jazz-fusion guitar. His influence was far-reaching, spilling over into rock and blues. Eddie Van Halen names him as a major influence and Robben Ford calls him the “John Coltrane of the guitar”.
We’re planning a fitting tribute in the next issue of Guitarist, but meanwhile, here is a personal recollection from the man who took over from Allan in Soft Machine, John Etheridge…
“I saw Allan play in Ronnie Scott’s in 1972 and I remember walking in and seeing this unlikely looking character holding a guitar, not looking all that comfortable. He had long straggly hair, and I thought, ‘Here we go; another of these so-called jazz-rock guitarists…’ Then he started soloing and my jaw hit the floor!
Bu hikaye Guitarist dergisinin June 2017 sayısından alınmıştır.
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Bu hikaye Guitarist dergisinin June 2017 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more