With the death of Status Quo’s exuberant rhythm man, the British rock scene is a drabber place. We look back on a life lived at full-throttle…
In a year when some of rock’s brightest stars were cruelly snuffed out, the death of Rick Parfitt on 24 December from sepsis was a bitter sting in the tail. The Status Quo guitarist was not a visionary like Bowie, nor a virtuoso like Prince, but the chunky chug of his rhythm work on the band’s 60-plus UK hit singles was among the most exuberant sounds in rock ’n’ roll, while his blokey bonhomie made him one of the scene’s best-loved figures. “It’s hard to find words,” tweeted Brian May. “You truly rocked our world.”
Born 12 October 1948, and raised on the Elmbridge council estate in Woking, Richard John Parfitt was a self-described “typical naughty boy” whose mayhem often saw him thrashed by his insurance salesman father with a belt. Trying a guitar at 11, he was surprised to discover a natural talent (“I don’t know where that musical ability came from”), and would later recall the satisfaction, in 1965, of showering his disapproving parents with bank notes after early gigs on the British holiday camp circuit started to pay off. “It was about four in the morning and I woke them up and said, ‘Oi, look at this,’ then threw the money up in the air.”
Bu hikaye Guitarist dergisinin March 2017 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Guitarist dergisinin March 2017 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more