Dennis Cornell is one of the legendary figures of British guitar amplification, with a history that goes way back to the early 1960s, when he worked for the Arbiter group. Back then, Cornell was part of the team behind Sound City amplifiers and the original Fuzz Face effect, popularised by Jimi Hendrix, Jeff Beck and many other influential artists from that era. Still active today, Dennis puts his name to modern amplifiers and pedals that are used by Eric Clapton, Noel Gallagher and many other top players who value the tank-like build quality and vintage vibe that Cornell is known for. For this review we’re taking a look at a small but potent addition to the range, the all-new Cornell Explorer 10.
It’s a typical ‘lunchbox’ head – a format that’s become a popular seller for many builders – with a rugged grey-painted steel case and perforated cover set off by smart gold handle trims that match the gold-screened badge and lettering. Despite compact dimensions, the Explorer 10 is reassuringly weighty because of its oversized mains and output transformers.
Behind the bottom cover plate, most of the electronics are hand-soldered onto a substantial and completely rigid 4.8mm thick circuit board, which combines printed tracks with turret and eyelet-style wiring. This blend of techniques allows components to be laid out in a similar fashion to 1950s American amps when needed, preserving the often-overlooked subtle interactions that are part of many vintage valve circuits. The main board also holds the base for the Explorer’s single 6L6 output valve, while the two 12AX7 preamplifier valve bases are chassis-mounted with hand-wired links. Component quality is first class, with expensive carbon comp resistors and exceptionally neat wiring.
Bu hikaye Guitarist dergisinin April 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Guitarist dergisinin April 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more