She became famous at 16 with an album that changed pop. All she had to do was figure out what came next
It’s not exactly how I thought the day would go, but in the mid afternoon in a warehouse building somewhere off the 101 freeway, Lorde is stripping down to her skivvies. In all fairness, so am I. We’re at Shareen Downtown, a 6,600-square-foot Los Angeles paradise of secondhand sartorial wonders where there are no dressing rooms and, not coincidentally, there is also a strict rule that there are no boys allowed, as a sign on the front door attests. “Isn’t that great?” asked Lorde earlier. “I found out about it through my old tour manager’s wife, who did the costumes on Mad Men. She was like, ‘I always go to Shareen.’ And so I go to Shareen now as well.”
Today, amid the dust and glamour, Lorde is on a mission to find something fun to wear to Coachella, where in a couple of weeks the 20-year-old New Zealander will give her first concert in close to three years in advance of her second album, Melodrama (out June 16th). “Oh, my God, it’s like my dream,” she says, homing in on a delicate, frothy wedding gown from some bygone era. “Like, at Coachella with a flower crown of these little freakies?” she suggests, running her hand over the dress’s tiny fabric f lowers. “It’s so sick. But they don’t put the price tags on them, and they’re always super expensive.”
Bu hikaye RollingStone India dergisinin July 2017 sayısından alınmıştır.
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Bu hikaye RollingStone India dergisinin July 2017 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
DANCE-FLOOR BLISS AND THE SEARCH FOR (POST-) HUMAN CONNECTION
Over the course of roughly a decade, CARIBOU, the electronic-leaning project from Canadian musician and composer Dan Snaith, has released intricate, sonically inventive records that cradle rhythm and history. On \"Home,\" from 2020's Suddenly, he coos softly alongside a frenetic flip of Gloria Barnes' 1971 single of the same name. There, the subtle cracks and gestures in his voice manage to breathe life into the digitally-manipulated sample. Caribou's music has so far thrived on this quality — Snaith's seemingly boundless musical curiosity and his ability to crystalize big ideas into euphoric moments of dance-floor bliss. It's why his choice to use artificial intelligence on his vocals for his latest album, Honey, feels like a misstep. Here, Snaith's voice is transformed in character and identity, at times creating revelatory moments, like on \"Come Find Me,\" where he's reimagined as a treacly-toned young woman, though in small enough doses for it to work. Elsewhere, like on the rap-adjacent \"Campfire,\" where Snaith renders himself as the sort of rapper you might hear on a Caribou track (think Definitive Jux vibes), the concept breaks down.
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INDIA'S HIP HOP MOVEMENT GAINS MOMENTUM
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TINASHE 'I'VE BEEN IN THE GAME 10 YEARS.I'M NOT NEW TO THIS.I'M TRUE TO THIS'
The singer reached a new peak when her song ‘Nasty’ went wildly viral. Now, Tinashe is energized and ready for more