The Dhaka band was created from the debut edition of singing competition ‘Sunsilk Divas’
ON A HUMID afternoon in a verdant and somewhat posh part of Dhaka, four women in traditional attire step out of a car and into a conference room. In addition to being dressed in fusion wear, they’re all sporting what looks like one strand of there in a colorful braid.
Later during our interview, singer Shunanda Sharmin tells us that as winners of singing competition Sunsilk Divas (which concluded in April), they could have as well chosen a “fancy English or French name.” She says, “Or you can choose something that actually represents our culture.” Of course, it’s evident that the name Laisfita – a hair ribbon worn by young girls, usually in rural Bangladesh – works well with a haircare sponsor. But Shunanda says, “We want to reintroduce our own culture in a way.”
Along with Shunanda, Laisfita – modeled as Bangladesh’s first female professional pop group – includes singers Antora Rahman, Ferdousi Moumita and Mustarin Ahmed Sheetal. It takes a while to break the ice, but if there’s one thing the group is excited about, it’s putting out music. As winners of Sunsilk Divas, they’ve received money, phones and a contract with Sony DADC. Plus, a promise of being involved in a Bollywood song. Sheetal is excited about being involved with that last one. “I love Bollywood music, especially item songs,” she says with a wide smile.
While Sunsilk Divas attracted initial ire from viewers for not picking guitarist-singer Samira Binte Fahian, Rabeth Khan – the managing director of inceptors Creinse Limited – points out that Samira’s flair as a rock artist was limiting the scope for putting together a diverse band. Khan is all praise for Samira, but he adds, “The only problem was, she was a bit of an introvert and her only skillset is a rock.”
Bu hikaye RollingStone India dergisinin July 2019 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye RollingStone India dergisinin July 2019 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
DANCE-FLOOR BLISS AND THE SEARCH FOR (POST-) HUMAN CONNECTION
Over the course of roughly a decade, CARIBOU, the electronic-leaning project from Canadian musician and composer Dan Snaith, has released intricate, sonically inventive records that cradle rhythm and history. On \"Home,\" from 2020's Suddenly, he coos softly alongside a frenetic flip of Gloria Barnes' 1971 single of the same name. There, the subtle cracks and gestures in his voice manage to breathe life into the digitally-manipulated sample. Caribou's music has so far thrived on this quality — Snaith's seemingly boundless musical curiosity and his ability to crystalize big ideas into euphoric moments of dance-floor bliss. It's why his choice to use artificial intelligence on his vocals for his latest album, Honey, feels like a misstep. Here, Snaith's voice is transformed in character and identity, at times creating revelatory moments, like on \"Come Find Me,\" where he's reimagined as a treacly-toned young woman, though in small enough doses for it to work. Elsewhere, like on the rap-adjacent \"Campfire,\" where Snaith renders himself as the sort of rapper you might hear on a Caribou track (think Definitive Jux vibes), the concept breaks down.
Get Closer: The Intimate Gaze of Films at NYFF62
A second intimacy arises between our lives and those unfolding on screen... and in setting their sights on exploring ordinary lives at close range, filmmakers at this year's New York Film Festival deepened that intimacy to great effect
Meet the Women DJs Shaping Global EDM
For years, men have led the electronic dance music (EDM) scene, but lately, women DJs have been shaking things up in every sense. These talented artists aren't just challenging gender norms—they're redefining the art of music production and live performance. With fresh styles and creativity, they're leaving a lasting impact on the EDM world, proving that the future of dance music is vibrant, inclusive, and thrilling.
Is India's Music Festival Season : Privilege Only Few Can Afford?
With soaring ticket prices, are Inda's music festivals slipping out of reach for the average fan?
Unpacking the Excitement and Inspiration of SXSW Sydney
The festival underscored the essential role of music as a universal language shaped by local culture
How Earthgang Fought the Algorithm and Won
Atlanta duo discuss their new album, Perfect Fantasy, working with Pharrell and Snoop, and staying independent
Foster The People: 'Fame can literally shorten your life-it's intense, and it gets in your head'
We caught up with the iconic indiepop icon Mark Foster to talk 2024's Paradise State of Mind, creative influences, and the personal journey of an artist
Everything Everything on Their India Debut and Writing 'Emotionally Interesting Music
British art-rock band's vocalist-guitarist Jonathan Higgs talks about performing at Bandland 2024 in Bengaluru and having die-hard fans who'll talk to them about politics as well as personal stories
INDIA'S HIP HOP MOVEMENT GAINS MOMENTUM
SPOTIFY IS PUTTING INDIA'S DIVERSE HIP-HOP VOICES AND REAL STORIES IN THE SPOTLIGHT
TINASHE 'I'VE BEEN IN THE GAME 10 YEARS.I'M NOT NEW TO THIS.I'M TRUE TO THIS'
The singer reached a new peak when her song ‘Nasty’ went wildly viral. Now, Tinashe is energized and ready for more