Acting might be his first love but this boisterous Bandra boy is on an unbridled creative mission that has only just begun
RANVEER SINGH’S LIST OF creative goals might just throw you off for a second. “I want to write film scripts, I want to try my hand at composing music, I want to be a music director and I want to direct a film. I am not a good singer, but I can rap. I want to mentor promising creative talent and I want to be a channel, a conduit and facilitator of creation. I have always wanted to start a scriptwriters’ consortium… I wish to even have a record label. I want to be a multi-faceted creative entity.” Knowing Singh and his proclivity for accomplishing all things unimaginable (Google ‘Ranveer wacky style’ at your own risk) it’s almost certain he will be ticking those ambitions off his bucket list sooner than you can expect.
We are at the launch of the Adidas Original store on Mumbai’s Linking Road—technically Singh’s hood; he lives a stone’s throw from here—and there’s the usual chaos. An army of camerapersons is packed in like sardines waiting for the actor to arrive, a small squad of female journalists are trying to mask their excitement behind nonchalant banter and another mini brigade of bloggers/ influencers are doing their thing against branded backdrops and product placements. But unlike other ‘celebrity events,’ there’s a sense of caprice hanging in the air, the kind you sense, say, before a magic show. You don’t know what trick our man has up his sleeve today, what rabbit he’s going to pull out of the hat.
Bu hikaye RollingStone India dergisinin December 2017 sayısından alınmıştır.
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Bu hikaye RollingStone India dergisinin December 2017 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
DANCE-FLOOR BLISS AND THE SEARCH FOR (POST-) HUMAN CONNECTION
Over the course of roughly a decade, CARIBOU, the electronic-leaning project from Canadian musician and composer Dan Snaith, has released intricate, sonically inventive records that cradle rhythm and history. On \"Home,\" from 2020's Suddenly, he coos softly alongside a frenetic flip of Gloria Barnes' 1971 single of the same name. There, the subtle cracks and gestures in his voice manage to breathe life into the digitally-manipulated sample. Caribou's music has so far thrived on this quality — Snaith's seemingly boundless musical curiosity and his ability to crystalize big ideas into euphoric moments of dance-floor bliss. It's why his choice to use artificial intelligence on his vocals for his latest album, Honey, feels like a misstep. Here, Snaith's voice is transformed in character and identity, at times creating revelatory moments, like on \"Come Find Me,\" where he's reimagined as a treacly-toned young woman, though in small enough doses for it to work. Elsewhere, like on the rap-adjacent \"Campfire,\" where Snaith renders himself as the sort of rapper you might hear on a Caribou track (think Definitive Jux vibes), the concept breaks down.
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