Admit Not Jeeves's Game Sense
Outlook|August 13, 2018

The BCCI detests the RTI’s bind. Yet its very structure—the men who officiate in matches—stands on government patronage.

Qaiser Mohammad Ali
Admit Not Jeeves's Game Sense

FOR several years, the central government has been making an effort to bring the Board of Control for Cricket in India (BCCI) under the Right to Information (RTI) Act, like all National Sports Federations (NSFs). But the Board has been steadfastly, even auda ciously, stonewalling the government, thanks to the full backing of politicians who have been—and still are—part of it. Successive dispensations, too, have never really been serious about implementing it.

While defying government RTI orders with disdain, the main thrust of BCCI’s defiance—and on which it has been harping unashamedly—has been that it doesn’t take financial assistance from the government. That is only partly true, as it does take indirect, ‘substantial assistance’, as the Delhi High Court observed some years ago and something the Union sports ministry, too, keeps insisting. And, crucially, the men who are the foundational support to the superstructure of BCCI-run tournaments—match officials who run things on the ground—are employees of government institutions. It’s a matter on which the BCCI conveniently, and consistently, keeps mum.

This April, The Law Commission of India (LCI) in a report prepared on directions of the Supreme Court, recommended that the RTI Act be made applicable to the BCCI and all its state affiliates. In addition, the Supreme Court has concluded, in the famous ‘BCCI versus Netaji Cricket Club (Chennai)’ case of 2005—and even in the Zee Telefilms vs Union of India case—that the Board “exercises enormous public functions” and “state-like functions”. These include selection of national teams that are fielded in global tournaments, with players/officials wearing the Indian national logo using the word ‘India’, which is part of the Emblem Act.

Bu hikaye Outlook dergisinin August 13, 2018 sayısından alınmıştır.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

Bu hikaye Outlook dergisinin August 13, 2018 sayısından alınmıştır.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

OUTLOOK DERGISINDEN DAHA FAZLA HIKAYETümünü görüntüle
Layers Of Lear
Outlook

Layers Of Lear

Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold

time-read
4 dak  |
December 21, 2024
Loss and Longing
Outlook

Loss and Longing

Memories can be painful, but they also make life more meaningful

time-read
6 dak  |
December 21, 2024
Suprabhatham Sub Judice
Outlook

Suprabhatham Sub Judice

M.S. Subbulakshmi decided the fate of her memorials a long time ago

time-read
8 dak  |
December 21, 2024
Fortress of Desire
Outlook

Fortress of Desire

A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort

time-read
7 dak  |
December 21, 2024
Of Hope and Hopelessness
Outlook

Of Hope and Hopelessness

The body appears as light in Payal Kapadia's film

time-read
3 dak  |
December 21, 2024
Ruptured Lives
Outlook

Ruptured Lives

A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles

time-read
5 dak  |
December 21, 2024
The Big Book
Outlook

The Big Book

The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha

time-read
4 dak  |
December 21, 2024
How to Refuse the Generous Thief
Outlook

How to Refuse the Generous Thief

The poet uses all the available arsenal in English to write the most anti-colonial poetry

time-read
4 dak  |
December 21, 2024
The Freedom Compartment
Outlook

The Freedom Compartment

#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers

time-read
1 min  |
December 21, 2024
Love, Up in the Clouds
Outlook

Love, Up in the Clouds

Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee

time-read
5 dak  |
December 21, 2024