Don't ask, don't tell was repealed in 2011. Federal marriage equality arrived in 2015. Trans figures like Laverne Cox and Elliot Page burst onto the national stage. But the 2020s have been painful for queer and trans Americans. Hearing a brass band belt out this optimistic refrain in the new, New Orleans-set seventh season, you might ask: All things just keep ... doing what now?
Such is the bittersweet experience of watching LGBTQ reality TV in 2023. It's heartening to see evidence of people with diverse sexual orientations and gender identities thriving. Yet there's something surreal about Queer Eye doing cheerful makeovers in a state with a Don't say gay bill and RuPaul sending queens down the runway amid a flurry of antidrag legislation. After decades as small-screen vanguards of a movement that used pop culture as a soapbox, these shows are scrambling to meet the moment.
QUEER EYE AND RUPAUL'S DRAG RACE deserve a lot of credit for bringing LGBTQ culture into the mainstream. But they were hardly the first in their genre to do so. The Real World made Pedro Zamora, a gay AIDS activist who died in 1994, a secular saint. A generation earlier, the PBS documentary and reality-TV template An American Family took viewers into New York's queer demimonde with the family's son, Lance Loud. Both men made a profound impact as the first real, out gay people many viewers got to know.
Bu hikaye Time dergisinin June 12, 2023 sayısından alınmıştır.
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Bu hikaye Time dergisinin June 12, 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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