It is five in the afternoon and Juno Temple is giving off slumber-party vibes. Curled up close to her webcam, blond hair cascading everywhere, she is on a bed surrounded by cushions in a friend's west London flat. This is home for the 32-year-old actor when she's in town from Los Angeles to shoot Ted Lasso, the smash-hit sitcom about an ebullient US coach (Jason Sudeikis) managing an English football team. Temple plays Keeley, a smarter-than-shelooks Wag who runs her own PR company.
The show is midway through shooting its third season. Temple hasn't been filming today, though she did just receive rewrites for the next episode. "Sometimes they arrive the morning you're filming," she says brightly. "Keeps the brain ticking!"
What's on her mind right now, however, is her new series, which dramatises the making of The Godfather. She squeals the show's title back at me when I mention it - "The Offer!". Temple has good reason to be excited. The Offer is a prestigious 10-part drama for Paramount+, its title a reference to the threat made by the mafia boss Don Corleone (Marlon Brando) in the 1972 gangster masterpiece: "I'm gonna make him an offer he can't refuse... "The series is full of juicy stories, mostly involving the Paramount producer Robert Evans (a show-stealing Matthew Goode), who was opposed to casting the newcomer Al Pacino, as well as an assortment of mobsters determined to prevent their good name being besmirched.
Bu hikaye The Guardian Weekly dergisinin June 17, 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye The Guardian Weekly dergisinin June 17, 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
The Saudi football World Cup is an act of violence and disdain
Well, that's that then. In the event there were only two notes of jeopardy around Fifa's extraordinary virtual congress last week to announce the winning mono-bids, the vote without a vote, for the right to host the 2030 and 2034 football World Cups.
AI has made the move into video and it's worryingly plausible
I recently had the opportunity to see a demo of Sora, OpenAI's video generation tool, which was released in the US last Monday, and it was so impressive it made me worried for the future.
With tyrant Assad ousted, Syrians deserve support and hope
Last week, time collapsed. Bashar al-Assad's fall recalled scenes across the region from the start of the Arab spring almost 14 years ago. Suddenly history felt vivid, its memories sharpened. In fact it no longer felt like history.
TV
The Guardian Weekly team reveals our small-screen picks of the year, from the underground vaults of post-apocalyptic Fallout to the mile-high escapism of Rivals
Albums
Murky love stories, nostalgic pop and an in-your-face masterpiece captured our critics' ears in 2024
Film
Visual language, sound, light and rhythm are to the fore in the best movies of the year
Hidden delights Our 24 travel finds of 2024
Guardian travel writers share their discoveries of the year, from Læsø to Lazio
'It's really a disaster' The fight to save lives as gang war consumes capital
Dr James Gana stepped out on to the balcony of his hospital overlooking a city under siege. \"There's a sensation of 'What's next?'. Desperation is definitely present,\" the Médecins Sans Frontières (MSF) medic said, as he stared down at one of scores of camps for displaced Haitians in their country's violence-plagued capital.
Trailblazers The inspiring people we met around the world this year
From an exuberant mountaineer to a woman defiantly facing the guns of war, here are some of the brave individuals who gave us hope in a tumultuous 2024
Votes of confidence
From India to Venezuela and Senegal to the US, more people voted this year than ever before, with over 80 elections across the world. With rising authoritarianism and citizen-led resistance revealing its vulnerabilities and resilience in the face of unprecedented challenges, has democracy reached its breaking or turning point?
