1 The tough metal barrel feels as if it can readily withstand the rigour of outdoor assignments.
2 The 2x zoom range is short by regular camera standards, but medium-format zooms are rare, especially of manageable size.
3 The constant f/4 maximum aperture is very good for a medium-format zoom, and makes exposure adjustments and video shooting simpler.
Medium-format cameras are more accessible than they’ve ever been, yet they remain a fairly niche area of the market. Any medium-format optic is going to be large compared with the latest crop of APS-C mirrorless lenses or even full-frame models, due to the larger image circle. This Fujinon standard zoom fits this description – it is not a small lens by any means. However, it’s still surprisingly light when you pick it up. No construction compromises have been made, though, and it is incredibly solid, being perfectly balanced on a Fujifilm GFX 50R body. The barrel does extend when zoomed, but focusing is internal.
It essentially handles like any recent Fujinon X-series lens. All of the controls are comfortable to operate, with just enough resistance. The front filter thread is also of a manageable diameter, so many photographers’ existing filters should be compatible.
Performance
Even wide open, this lens is razor-sharp at the centre, revealing tremendous levels of detail with superb contrast. There is a slight drop-off at the edges, but this is minimal, and the results remain stellar. Medium-format optics need to perform well at small apertures too, and the 32-64mm does not disappoint.
Bu hikaye Digital Camera World dergisinin Spring 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Digital Camera World dergisinin Spring 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
David duChemin
The Canadian wildlife photographer gives Niall Hampton a flavour of his latest book Light, Space & Time, and his talk at The Photography Show
Scanning ahead...
In a make-or-break year for the camera market, Jon Devo suggests throwing out the playbook
Click, click, gone
Sean McCormack tries ON1 Photo RAW's new Generative Erase
Blur the background
Wendy Evans explains how to change the depth of field in telephoto shots using the Lens Blur tool in Lightroom or Camera Raw
Bring the drama with colour-grading tools
Discover how to use adjustment layers in Affinity Photo to add mood and colour to a lacklustre image, with Wendy Evans
Optimise your phone shots in Photoshop
Smartphones are our most useful cameras, so let's enhance our shots, says James Abbott
Expand your images
Crop outside your frame in Photoshop and discover a clever hack for detailed Al-generated fills with James Paterson
Shot of the month
Benjamin Yavar, winner of the Photography category of 2024's ViewSonic ColorPro Awards
CAMERA CLINIC - Master the art of modern photography
Architecture is a huge subject in photography.
HARNESS THE POWER OF RAW!
Take your captures to the next level with this 10-step tutorial for Adobe Lightroom Classic CC. Dan Mold is your expert guide...