A nude figure is a common subject of my work. My medium of choice is photography, which literally means drawing with light.
This project expresses how all being combined into a pure amalgam of light painting, where the human body is both a subject and a canvas, time collapses, and the light becomes almost tangible.
Every light painting starts with a concept and planning. Yet, there is room for improvisation and spontaneity. It is impossible to reproduce the process exactly: every brush-light stroke falls differently. The model's head shifts just a notch. Everything is alive and breathing.
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Bu hikaye Lens Magazine dergisinin April 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
IN THE SHIPYARDS OF DHAKA
A very large shipyard in Dhaka is located on the Buriganga River's banks, directly across Dhaka's old city.
Aga Szydlik INDIA
A JOURNEY INTO THE LAND OF DIVERSITY, CULTURE, AND COLORS
SEBASTIAN PIÓREK EXPLORING Enjoyable LANDSCAPE
I retrieved the idea of nature closely linked to the field of human feelings.
The Extreme Macro Photography of Bees
AN INTERVIEW SAM WITH, DROEGE
JEAN KAROTKIN GYMNOPEDIES
Gymnopédies, Karotkin's ongoing series of botanical portraits, takes its name from a trio of piano compositions by 19th-century French composer Erik Satie.
BUTTERFLIES IN LOVE WITH FLOWERS
I sometimes think Chinese art is not fully appreciated in the West. I was exposed to it growing up in Australia, although my fascination was more with calligraphy.
Lissa Hahn:
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AN EXCLUSIVE INTERVIEW WITH ELENA PARASKEVA
Elena Paraskeva is an internationally acclaimed, award-winning Conceptual Photographer and Art Director and, most recently, an official ADOBE instructor.
From a Living Hell to Heaven on Earth: the Inhumanity and Humanity of Humans
In a remote area of western Wisconsin, dogs and cats who otherwise would have ended up on death row are given a reprieve. They can now live out their lives in peace and comfort and with companionship at Home for Life (HFL), which was not afforded them outside the sanctuary's gates.
The Art of DISAPPEARING
In the classical proposal, indigenous people are usually the topic of discussion, but rarely do they have a hand in shaping it.
