“My Canon EF 85mm f/1.2L Mark II is a stunning piece of glass and I take most of my portraits with it”
My photography journey began a long time ago, when I was a childcare provider, back in 2004. I would photograph the kid’s daily adventures, so their parents could see what they’d been up to while they were at work. But it wasn’t until my own fourth child was born many years later that I learned how to use a camera properly.
I took it upon myself to take full control of my settings and forced myself into Manual mode to get better pictures.
The real game changer for me was prime lenses, as they allow me to shoot very wide open and, in turn, have a fast shutter speed. This is a must for sharp shots of children who are constantly on the move! I also love the creamy soft background they give that draws the attention to my subjects. My Canon EF 85mm f/1.2L Mark II USM is a stunning piece of glass and I take most of my portraits with it. About a year ago I bought a Canon EF 135mm f/2L USM, which is also now a lens that I cannot live without.
I’ve also upgraded my main camera to the Canon EOS R5 and I use an adaptor, so I can still use my EF lenses. When I go out on a shoot I take both my 5D Mark IV and my R5, usually with the 85mm on one and the 135mm on the other.
Bu hikaye PhotoPlus : The Canon Magazine dergisinin September 2021 sayısından alınmıştır.
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Bu hikaye PhotoPlus : The Canon Magazine dergisinin September 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
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