Is it time to go pro?
PhotoPlus : The Canon Magazine|June 2022
Setting the benchmark for performance and build quality, Canon’s powerhouse pro-level DSLRs are hard to beat
Is it time to go pro?

Pick up one of Canon's professional full-frame DSLRs and you can feel where your money's going. The EOS 5D Mark IV and EOS-1D X Mark III are muscular machines but their robust bodies are fast and nimble to use, with a wealth of customizable physical controls. They also offer performance and reliability that professionals rely on.

Canon's flagship full-frame EOS R mirrorless camera, the EOS R3, sets a new benchmark for speed and autofocus performance, and its high-resolution stablemate, the EOS R5, takes the hybrid approach of the EOS 5D series to new heights, with an enticing blend of 45MP stills, 8K video, built-in image stabilization and next-level subject tracking. Its DSLR counterpart, the EOS 5D Mark IV, includes 30.4MP stills, 4K video (albeit cropped), excellent all-round image quality and 7fps shooting speed. So, despite being almost six years old now, Canon's classic 5-Series DSLR still has much to offer every pro photographer.

That is, if you can get hold of one. You'll probably find that retailers are awaiting stock of the EOS 5D Mark IV, but it's not the only EOS camera that's difficult to buy at the moment. There's a shortage across the board, although it's particularly noticeable with the latest mirrorless cameras. For example, in March, Canon announced on its Japanese website that when you order an EOS R3, it may take more than half a year to be delivered.

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The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
PhotoPlus : The Canon Magazine

The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills

Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.

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PhotoPlus : The Canon Magazine

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PhotoPlus : The Canon Magazine

Sharpen your shots with DPP

Sharpening a digital image also increases contrast at the edge of details

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PhotoPlus : The Canon Magazine

CANON ImagePrograf PRO-1100

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Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!
PhotoPlus : The Canon Magazine

Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!

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PhotoPlus : The Canon Magazine

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Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands

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PhotoPlus : The Canon Magazine

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PhotoPlus : The Canon Magazine

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Photoshop's Al-powered feature brings revolutionary new tools to image editing. James Paterson reveals all...

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PhotoPlus : The Canon Magazine

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Wish you were here? Sean McCormack explains how you can give your summer photographs a vintage postcard look

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PhotoPlus : The Canon Magazine

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Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!

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