What’s the oldest horror game that can still make you jump today, or send that acidic tingle of unease up your spine? Dogs bursting through the windows in the original Resident Evil spring to mind, while the PC faithful may point to another glass-breaking moment—the first monster you encounter in the original Alone in the Dark. The last notable horror game before that, Sweet Home on the NES, probably finds itself just on the wrong side of the 1990s to maintain much impact today. But in that overlooked period between 1989 and 1992, a British studio in the quiet town of Sutton Coldfield made some serious horror headway. Adventure Soft, founded by father-son team Mike and Simon Woodroffe, rebranded itself as Horror Soft, and over the course of three years released four first-person horror games that culminated in the beautifully gruesome Waxworks.
These games straddled a technological leap in PC gaming, introducing new ideas to the then-stagnant genre that left a sanguine blood trail for other developers to follow.
DEVIL IN THE DETAILS
The shockingly detailed death scenes remain as brutal to behold today as they did 30 years ago, while its grimy labyrinthine levels foreshadow the ‘helpless horror’ subgenre popularized by Amnesia: The Dark Descent, as you’re often forced to flee from the Eldritch creatures, zombies and mobs that twitchily stalk you through porous walls of darkness.
Horror Soft’s father-son development team was an unusual dynamic, but it didn’t impact the development process. Over time, father Mike gravitated towards the business and finances of the studio, while Simon became the creative and designer.
Bu hikaye PC Gamer US Edition dergisinin Holiday 2020 sayısından alınmıştır.
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Bu hikaye PC Gamer US Edition dergisinin Holiday 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Special Report- Stacked Deck - Monster Train, a deckbuilding roguelike that firmly entrenched itself as the crown prince to the kingly Slay the Spire back in 2020, was the kind of smash success you might call Champagne Big.
Monster Train, a deckbuilding roguelike that firmly entrenched itself as the crown prince to the kingly Slay the Spire back in 2020, was the kind of smash success you might call Champagne Big. Four years later, its successor Inkbound’s launch from Early Access was looking more like Sandwich Big.I’m not just saying that because of the mountain of lamb and eggplants I ate while meeting with developer Shiny Shoe over lunch, to feel out what the aftermath of releasing a game looks like in 2024. I mean, have I thought about that sandwich every day since? Yes. But also, the indie team talked frankly about the struggle of luring Monster Train’s audience on board for its next game.
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