The answer was the confines of art itself. To get out, he would have to break some stuff.
“I found that I was using representational art as a pretext to keep my work a certain way,” he says. “That’s what I was hiding behind. And to get out, I had to move toward my own truth and do it in a creative way that wasn’t dictated by rules and discipline. There is this notion that, ‘This is what art is.’ And it doesn’t have to be.”
Bu hikaye American Art Collector dergisinin March 2023 sayısından alınmıştır.
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Bu hikaye American Art Collector dergisinin March 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
FULL EXPOSURE
Photographer Conor Martin documents the present using photographic methods of the past.
Autumnal Light
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Modern Marketplace
Redwood Art Group brings together the San Diego region for another class-act celebration of contemporary artwork.
An Enchanting Evening
Scottsdale Artists’ School knows how to throw an art party.
Timeless Tales
Soft, warm undertones underscore the mood of enchantment that runs through Nom Kinnear King’s paintings.
Next Exit New York
Coming off his series that focused on San Francisco and Los Angeles freeway signs, artist Eric Nash’s sights are now set on New York. Now on view at George Billis Gallery's Manhattan location are seven of Nash's new oil paintings and two drawings that explore the signage of New York City freeways. Although Nash's work is tightly rendered, he doesn’t consider himself a photorealist, but rather someone who utilizes those techniques to express ideas.
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Vampires, witches, ghouls and all things that go bump in the night are the theme of the exhibition Monster Mash, now at Abend Gallery.
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Those familiar with Geoffrey Johnson's populated by inky figures and trailing shadows that bleed into the wet streets, and architectural elements obscured to varying degrees by the misty atmosphere.
Bold Figures; Bold Color
For Brooklyn based painter J Louis, it’s all about balance, which can mean many different things in a composition, but for Louis, it’s about balancing his female figures among a unique landscape of color.
