Horses have always been a part of the life of New York Citywork horses, show horses, carriage horses and the over 50 horses in the New York City Police Department Mounted Unit.
Thomas Worth (1834-1917) was a prolific illustrator and avid sportsman who also loved horse racing. He often sketched races that he attended with James Merritt Ives of the prolific printmaking firm Currier & Ives. He was a native New Yorker, born in Greenwich Village. When he was about 18, he showed a drawing to Nathaniel Currier of the same firm, who bought it for five dollars and later published it.
One of Worth's Currier & Ives prints is Fashionable "Turn-Outs" in Central Park, 1869, a humorous look at wealthy New Yorkers showing off their finery, horses and carriages on an outing in the park. The sleek beauty of the horses and the details of the many styles of carriages are complemented by the variety of people, humorous caricatures from the bored to the pretentious.
The romance of the 19th-century Gilded Age is recreated in a way by the continuing tradition of taking carriage rides in Central Park. Carriage rides such as those shown in Worth's print, began as soon as the park opened in 1858. In 1863, rides were offered to tourists for 25 cents per passenger. Since few if any New Yorkers have stables and carriages, the rides are available for the special occasions of city folk and visitors to the city. They cost from about $60 for a 15-minute ride to about $160 for a VIP tour "with photo stop."
Bu hikaye American Art Collector dergisinin May 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye American Art Collector dergisinin May 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
FULL EXPOSURE
Photographer Conor Martin documents the present using photographic methods of the past.
Autumnal Light
The landscapes and nature scenes of painter Jennifer Sowders are irresistibly tactile, filled with varying textures that seem to leap off the canvas.
Art for All
Members of Art Dealers Association of America come together for a philanthropic affair.
Modern Marketplace
Redwood Art Group brings together the San Diego region for another class-act celebration of contemporary artwork.
An Enchanting Evening
Scottsdale Artists’ School knows how to throw an art party.
Timeless Tales
Soft, warm undertones underscore the mood of enchantment that runs through Nom Kinnear King’s paintings.
Next Exit New York
Coming off his series that focused on San Francisco and Los Angeles freeway signs, artist Eric Nash’s sights are now set on New York. Now on view at George Billis Gallery's Manhattan location are seven of Nash's new oil paintings and two drawings that explore the signage of New York City freeways. Although Nash's work is tightly rendered, he doesn’t consider himself a photorealist, but rather someone who utilizes those techniques to express ideas.
Monster Mash
Vampires, witches, ghouls and all things that go bump in the night are the theme of the exhibition Monster Mash, now at Abend Gallery.
Inside/Outside
Those familiar with Geoffrey Johnson's populated by inky figures and trailing shadows that bleed into the wet streets, and architectural elements obscured to varying degrees by the misty atmosphere.
Bold Figures; Bold Color
For Brooklyn based painter J Louis, it’s all about balance, which can mean many different things in a composition, but for Louis, it’s about balancing his female figures among a unique landscape of color.
