Those Early Picture Machines
Cobblestone American History Magazine for Kids|July/August 2023
A row of cameras is set up alongside a track. Attached to the shutter of each camera is a string that stretches across the track.
Edward H. Jones and Andrew Matthews
Those Early Picture Machines

The pounding hooves of a horse and rider racing down the track snap the strings and trip the shutters. Each camera takes a different picture of the horse's stride.

In 1878, photographer Eadweard Muybridge used this method to capture the exact movements of a galloping horse on film. He was interested in the science behind a horse's gait. The sequence of photos proved that all four of a horse's hooves leave the ground at one point during a gallop.

Muybridge also introduced the Zoopraxiscope. It was a flat, discshaped device. When spun, it made sequential images on its outer edge appear to be in motion. With his images and his device, Muybridge created an important link to motion picture development.

Magic Lanterns

The evolution of moving pictures weaves together many concepts. Those concepts began with magic lanterns. They were devices that used a source of light to project an image painted on a glass slide through a lens and onto a makeshift screen.

Magic lanterns were in use for centuries in Europe. By the 1700s, people used them in homes as entertainment and in laboratories as educational tools. By the late 1700s, people used them to present "horror shows," to project frightening images to an audience. By the 1890s, elaborate magic lanterns had become popular forms of entertainment in the United States. They sometimes consisted of three lenses projecting multiple still pictures onto a single screen. They often were part of vaudeville shows.

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