Matt Rife, Joe Rogan, and Langston Kerman showcase vastly contrasting styles.
It can be hard to tell, these days, what some people mean by “comedy.” By the evidence of the work that comedians are doing, jokes may have dropped out of the definition. Like other performers in our Balkanized, make-your-own-prime-time entertainment landscape, many comedians act less like artists or court jesters than like notionally humorous leaders of affinity groups or of minor, mostly harmless cults. They tend to say just what their viewers want to hear, but with the rhythm, if not the cathartic finality, of a joke.
This rather new phenomenon has to do with the fact that comedians are springing up from more corners of our media purview than ever. Increasingly, you don’t first become aware of them as comedians. One might be a podcaster you like, or make Instagram posts that show up on your “explore” page. Maybe another is a scene-stealing guest star on one of your favorite shows. Only later do you realize that they also happen to have a special on the way. There’s no Johnny Carson to introduce us to comics qua comics. They’ve got to sneak into your field of attention, often by way of some algorithmic back door, in order to grasp your affection.
Bu hikaye The New Yorker dergisinin September 09, 2024 sayısından alınmıştır.
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Bu hikaye The New Yorker dergisinin September 09, 2024 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
GET IT TOGETHER
In the beginning was the mob, and the mob was bad. In Gibbon’s 1776 “Decline and Fall of the Roman Empire,” the Roman mob makes regular appearances, usually at the instigation of a demagogue, loudly demanding to be placated with free food and entertainment (“bread and circuses”), and, though they don’t get to rule, they sometimes get to choose who will.
GAINING CONTROL
The frenemies who fought to bring contraception to this country.
REBELS WITH A CAUSE
In the new FX/Hulu series “Say Nothing,” life as an armed revolutionary during the Troubles has—at least at first—an air of glamour.
AGAINST THE CURRENT
\"Give Me Carmelita Tropicana!,\" at Soho Rep, and \"Gatz,\" at the Public.
METAMORPHOSIS
The director Marielle Heller explores the feral side of child rearing.
THE BIG SPIN
A district attorney's office investigates how its prosecutors picked death-penalty juries.
THIS ELECTION JUST PROVES WHAT I ALREADY BELIEVED
I hate to say I told you so, but here we are. Kamala Harris’s loss will go down in history as a catastrophe that could have easily been avoided if more people had thought whatever I happen to think.
HOLD YOUR TONGUE
Can the world's most populous country protect its languages?
A LONG WAY HOME
Ordinarily, I hate staying at someone's house, but when Hugh and I visited his friend Mary in Maine we had no other choice.
YULE RULES
“Christmas Eve in Miller’s Point.”