The exhibition places fourteen of his paintings, made between the late nineteen-sixties and the early eighties, under the same roof as the Old Masters to which Hendricks, their dedicated student, returned throughout his life. Like all the greatest portraitists, Hendricks rendered glimmers of his subjects’ interior lives via the particularities of their personal style, the poses they strike, and the precise wattage of their skin’s radiance, remaining steadfastly devoted to, in his words, “the beauty and variety of complexion colors that we call Black.”
Bu hikaye The New Yorker dergisinin August 28, 2023 sayısından alınmıştır.
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Bu hikaye The New Yorker dergisinin August 28, 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
ART OF STONE
\"The Brutalist.\"
MOMMA MIA
Audra McDonald triumphs in \"Gypsy\" on Broadway.
INTERNATIONAL AFFAIRS
\"Black Doves,\" on Netflix.
NATURE STUDIES
Kyle Abraham's “Dear Lord, Make Me Beautiful.”
WHAT GOOD IS MORALITY?
Ask not just where it came from but what it does for us
THE SPOTIFY SYNDROME
What is the world's largest music-streaming platform really costing us?
THE LEPER - LEE CHANGDONG
. . . to survive, to hang on, waiting for the new world to dawn, what can you do but become a leper nobody in the world would deign to touch? - From \"Windy Evening,\" by Kim Seong-dong.
YOU WON'T GET FREE OF IT
Alice Munro's partner sexually abused her daughter. The harm ran through the work and the family.
TALK SENSE
How much sway does our language have over our thinking?
TO THE DETECTIVE INVESTIGATING MY MURDER
Dear Detective, I'm not dead, but a lot of people can't stand me. What I mean is that breathing is not an activity they want me to keep doing. What I mean is, they want to knock me off. My days are numbered.