
In the age of climate change, "natuthan ever. We can absolve ourselves of responsibility for volcanic eruptions and earthquakes (except the ones caused by fracking). But the lengthening hurricane season, the floods, and the droughts? They've got our fingerprints all over them. Higher average temperatures and drier vegetation are making wildfires burn hotter and break out more frequently a development that was hard to ignore this past summer. Smoke from Canadian wildfires in June turned the skies over New York and Washington, D.C., a lurid, choking orange. A fire on Maui incinerated the town of Lahaina and killed nearly a hundred people. "We can't really call them wildfires anymore," a climate scientist named Jennifer Francis told the A.P. in July. "They're not wild. They're not natural anymore." Who or what we blame for such calamities helps determine how we respond to them. Call them acts of God or artifacts of nature's inevitable cycles, and we might just do nothing.
Big cities don't tend to burn on the scale they did in the seventeenth, eighteenth, and nineteenth centuries, when conflagrations levelled vast swaths of London (1666), Moscow (1812), New York (1835), and Edo, now Tokyo (repeatedly), to name a few significant instances. Fire has become a different kind of menace, owing to modern extinguishing technology, professional firefighting forces, and, crucially, the fact that, in wealthier countries, we no longer light our homes and cook our food with open flames in neighborhoods constructed largely of wood. Wildfire smoke drifts into far-flung cities and pollutes our lungs, raising the risk of long-term health damage. Smaller towns in landscapes rendered combustible by extreme heat-the grasslands on Maui, the Sierra Nevada foothills in California-may be consumed almost entirely.
Bu hikaye The New Yorker dergisinin October 09, 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye The New Yorker dergisinin October 09, 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Techniques and cIdiosyncrasies

FEAR FACTOR
How the Red Scare reshaped American politics.

PLAYTIME
The old film studios had house styles: M-G-M’s was plush and sentimental, Warner Bros.’ stark and intense.

TIME AND PLACE
“Tatlin: Kyiv” explores a Russian Constructivist’s Ukrainian identity.

MOURNING BECOMES HER
Akram Khan’s “Gigenis: The Generation of the Earth.”

TEXAS ROUNDUP
How Greg Abbott made his state the staging ground for Donald Trump's mass-deportation campaign.

HOUSE CALL
To rent or to buy is the eternal question.

INDESCRIBABLE
The human disaster of the Irish famine.

Louisa Thomas on John Updike's "Hub Fans Bid Kid Adieu"
The original idea was an assignation. On a dreary Wednesday in September, 1960, John Updike, \"falling in love, away from marriage,\" took a taxi to see his paramour.

LIP SERVICE
Zyn and the new nicotine gold rush.