The anarchic energy and haunting melodies of Stravinsky's "The Rite of Spring" have fascinated generations of dancers and choreographers since the ballet's première, for Sergei Diaghilev's Ballets Russes, in 1913. That first version, by Vaslav Nijinsky, caused a riot. Decades later, in 1975, Pina Bausch took on the score, creating a work in which men and women tear at one another in a combination of terror and attraction, dancing on a floor of dirt that gradually sticks to their bodies. The climax is a punishing sacrificial dance by a woman in a red dress. In the vast space of the Park Avenue Armory, Bausch's "The Rite of Spring" (Nov. 29-Dec. 14) is performed by a company of dancers from across Africa, who rehearsed the work at École des Sables, in Senegal. It is paired with "common ground[s]," a duet for the École's co-founder Germaine Acogny-a towering figure in African dance and Malou Airaudo, one of Bausch's early collaborators.-Marina Harss
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MING HAN ONG
Thadeus had never offered to take Johnny Mac out for a meal before. This is new, Johnny Mac says, grinning. For twenty-five years, Johnny Mac worked as a tenant-rights lawyer. He is a fount of varied and surprising knowledge.
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Are all our arguments really over who's harmed?
ODD JOBS
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TABULA RASA
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WELCOME TO OUR FIRST/FINAL BOOK CLUB!
Thank you, everyone, for coming to our first/final book-club meeting. Apologies for how long it's taken us to settle on a date, but in between work, kids, and the pretense of joining adult recreational sports leagues, it seems that we all have incredibly busy schedules.
THE POISON MACHINE
The talk-show host Yinon Magal's hard-line tactics.
MEAN TIME
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