When my older sister, G, was a child, she bought a pet chick from a street vender near our family’s home in Ankara, Turkey. The bird had a pale-yellow coat and tiny, vigilant eyes. G would place him on her shoulder and listen to him cheep into her ear. But he soon grew into a rooster, shedding feathers and shitting on the furniture, so our grandfather had a housekeeper take him home to kill for dinner. In a school essay, my sister described this experience as her “first confrontation with death.”
I wrote my own essay about the chick many years later, for a high-school English class. The assignment was to interview relatives and retell a “family legend.” G’s tale, which she repeated often, hinted at a strange, wondrous chapter of our past, before our parents immigrated to the United States and had me. I read G questions from a how-to handout on oral history, relishing the excuse to pry. But there was another encounter with death that I didn’t dare ask about, an untold story that involved the two of us. One night in August of 1999, on a summer trip back to Ankara, our dad was murdered. G was twelve and I was three. We were both there when it happened, along with our mom, but I was too young to remember.
Bu hikaye The New Yorker dergisinin November 27, 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye The New Yorker dergisinin November 27, 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
GET IT TOGETHER
In the beginning was the mob, and the mob was bad. In Gibbon’s 1776 “Decline and Fall of the Roman Empire,” the Roman mob makes regular appearances, usually at the instigation of a demagogue, loudly demanding to be placated with free food and entertainment (“bread and circuses”), and, though they don’t get to rule, they sometimes get to choose who will.
GAINING CONTROL
The frenemies who fought to bring contraception to this country.
REBELS WITH A CAUSE
In the new FX/Hulu series “Say Nothing,” life as an armed revolutionary during the Troubles has—at least at first—an air of glamour.
AGAINST THE CURRENT
\"Give Me Carmelita Tropicana!,\" at Soho Rep, and \"Gatz,\" at the Public.
METAMORPHOSIS
The director Marielle Heller explores the feral side of child rearing.
THE BIG SPIN
A district attorney's office investigates how its prosecutors picked death-penalty juries.
THIS ELECTION JUST PROVES WHAT I ALREADY BELIEVED
I hate to say I told you so, but here we are. Kamala Harris’s loss will go down in history as a catastrophe that could have easily been avoided if more people had thought whatever I happen to think.
HOLD YOUR TONGUE
Can the world's most populous country protect its languages?
A LONG WAY HOME
Ordinarily, I hate staying at someone's house, but when Hugh and I visited his friend Mary in Maine we had no other choice.
YULE RULES
“Christmas Eve in Miller’s Point.”