Mayor John Lindsay declared war on New York’s graffiti in 1972. It was a curious move, even in an era known for unwinnable conflicts. Many residents hated graffiti, of course, but it didn’t lack for fans in high places. The previous year, the Times had published an admiring profile of Taki, a teen-ager who scribbled his tag, TAKI 183, on walls and subway cars across the five boroughs. In 1974, Norman Mailer wrote a long essay for Esquire in which he compared Taki et al. to van Gogh. But the Mayor had spoken, and for the rest of the seventies the M.T.A. spent millions of dollars keeping the trains gray, which mainly seemed to encourage people to gussy them up again. By 1982, the year of Keith Haring’s career-making solo show at the Tony Shafrazi Gallery, there was nothing groundbreaking about the idea that graffiti could be real art.
Bu hikaye The New Yorker dergisinin March 11, 2024 sayısından alınmıştır.
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Bu hikaye The New Yorker dergisinin March 11, 2024 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
THE ST. ALWYNN GIRLS AT SEA SHEILA HETI
There was a general sadness that day on the ship. Dani was walking listlessly from cabin to cabin, delivering little paper flyers announcing the talent show at the end of the month. She had made them the previous week; then had come news that the boys' ship would not be attending. It almost wasn't worth handing out flyers at all—almost as if the show had been cancelled. The boys' ship had changed course; it was now going to be near Gibraltar on the night of the performance—nowhere near where their ship would be, in the middle of the North Atlantic sea. Every girl in school had already heard Dani sing and knew that her voice was strong and good. The important thing was for Sebastien to know. Now Sebastien would never know, and it might be months before she would see him again—if she ever would see him again. All she had to look forward to now were his letters, and they were only delivered once a week, and no matter how closely Dani examined them, she could never have perfect confidence that he loved her, because of all his mentions of a girlfriend back home.
WHEELS UP
Can the U.K.’s Foreign Secretary negotiate a course between the E.U. and President Trump?
A CRITIC AT LARGE - CHECK THIS OUT
If you think apps and social media are ruining our ability to concentrate, you haven't been paying attention.
PARTY FAVORS
Perle Mesta and the golden age of the Washington hostess.
CHARLOTTE'S PLACE
Living with the ghost of a cinéma-vérité pioneer.
THE CURRENT CINEMA - GHOST'S-EYE VIEW
“Presence.”
MILLENNIALS: WHERE ARE THEY NOW?
Fame is fickle, and no one knows this better than millennials. Once, they were everywhere—in television laugh tracks for “The Big Bang Theory,” in breathless think pieces about social-media narcissism, and acting the fool in 360p YouTube comedy videos. Then—poof! Gone like yesterday’s avocado toast.
ANNALS OF INQUIRY: CHASING A DREAM
What insomniacs know.
THE MASTER BUILDER
Norman Foster's empire of image control.
INTIMATE PROJECTS DEPT. THE GOLDFISH BOWL
There are roughly eight hundred galleries that hold the permanent collection of the Met, and as of a recent Tuesday morning the married writers Dan and Becky Okrent had examined every piece in all but two.
