Oils - PAINT A LARGE-SCALE FANTASY SCENE
ImagineFX|January 2023
PATRICK J. JONES explores creating a museum-worthy painting, demonstrating step by step how he works on a beautiful fantasy scene of epic proportions
PATRICK J. JONES
Oils - PAINT A LARGE-SCALE FANTASY SCENE

MATERIALS

PAINT

Artist grade oil paints

BRUSHES

Various synthetic brushes

OTHER

Cotton rags

Canvas

Gamsol

Galkyd Lite Medium

Walnut oil

Liquitex Matte

Medium

Escape from the Valley of the Harpies started with a call from Pat Wilshire, the co-creator of the fantasy art show IX in the USA. Pat told me that a collector in Singapore was creating a fantasy art museum and is interested in whatever works I might have, preferably large works.

As most of my private paintings are sold on commission or on completion I only had three originals left, one which was 'Solomon's Loss', my very favourite. The collector made me an offer I couldn't refuse, and sadly I said goodbye to one of my beloved children. Solomon's Loss is a fairly large piece at 30 x 40 inches. The collector, a man with a big vision, then inquired about a much larger commission specifically painted for the museum, informing me that no size was too large. I love painting big, but how big I can work, without renting space outside my home studio, depends on how high my home studio ceiling is considering the painting will mostly rest on an adjustable crank easel, not on the floor. With the painting already three feet off the floor to start with, I quoted for a size of 72 x 48 inches, as this is a manageable height for me to stand and paint.

With such a large canvas, this means thinking of the painting in two parts for me to be at eye level at any given point.

ANATOMY REFERENCES

Bu hikaye ImagineFX dergisinin January 2023 sayısından alınmıştır.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

Bu hikaye ImagineFX dergisinin January 2023 sayısından alınmıştır.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

IMAGINEFX DERGISINDEN DAHA FAZLA HIKAYETümünü görüntüle
PAINT EPIC BATTLES IN TRADITIONAL INK
ImagineFX

PAINT EPIC BATTLES IN TRADITIONAL INK

Warhammer illustrator THOMAS ELLIOTT shows you how to create an epic science fiction fight scene with this step-by-step guide

time-read
5 dak  |
January 2025
CONJURE MAGIC ILLUSTRATIONS
ImagineFX

CONJURE MAGIC ILLUSTRATIONS

Daria Anako demonstrates her process for creating a whimsical piece of art with some spellbinding touches

time-read
5 dak  |
January 2025
First Impressions
ImagineFX

First Impressions

We discover the early influences that inspired the artist

time-read
6 dak  |
January 2025
ZBrush for iPad
ImagineFX

ZBrush for iPad

GAME CHANGER The desktop version of popular 3D sculpting software ZBrush has been redesigned for iPad - and it's brilliant

time-read
1 min  |
January 2025
BenQ GW2786TC
ImagineFX

BenQ GW2786TC

GET AN EYEFUL Don't scrimp out on your health with a monitor that's kind on the eyes and good for creative tasks

time-read
1 min  |
January 2025
Huion Kamvas Pro 19
ImagineFX

Huion Kamvas Pro 19

TABLET WARS An attractive pen display does an excellent job of balancing price and performance as it sets out to challenge its rivals in the mobile marketplace

time-read
3 dak  |
January 2025
DRAGON OFORCEC
ImagineFX

DRAGON OFORCEC

Legendary D&D artist Larry Elmore explains the keys to crafting timeless fantasy art.

time-read
4 dak  |
January 2025
DUNGEON MASTERS
ImagineFX

DUNGEON MASTERS

ImagineFX marks the milestone 50th anniversary of the launch of Dungeons & Dragons with a look at its rich tradition of illustration

time-read
7 dak  |
January 2025
Erik Ly
ImagineFX

Erik Ly

Gamer's haven Why the artist enjoys a maximalist aesthetic more than the minimalist approach.

time-read
2 dak  |
January 2025
2D meets 3D: How the workflows are merging
ImagineFX

2D meets 3D: How the workflows are merging

Interdimensional As VFX and animation evolve and tools become more accessible, Tanya Combrinck asks whether the separation between the mediums is reducing

time-read
5 dak  |
January 2025