THESE ARE TWISTED tales with fierce underpinnings; they often prioritize art and drama over rationale. The unique aspect of Korean psychological thriller movies, I feel, is how discreetly they grow more ominous step by step, catching you off-guard here and there. Your fear builds in sync as you engage in their racks of awful horror, but you stay tied through to the end. Such is the draw. The 10 very renowned, lauded, and revered examples of this kind are included in the list below.
Sympathy for Mr. Vengeance (2002) – Park Chan-wook
Despite the contentious consequences that director Park Chan-wook’s predilection for savagery and dark satire often produces, his approach to matters and distinctive take on them is unequaled, and it is incomprehensible how he weaves together several layers into a cogent story as he does in this movie—his superbly shot depiction of violence and gore. We meet Ryu (Shin Hakyun), a deaf-mute factory worker, in a dire bind for cash to cover the costs of his sickly sister’s kidney transplant. In a fit of desperation, he and his love interest seize business tycoon Park Dong-jin’s (Song Kang-ho) daughter, and a subsequent tragedy spurs Dong-jin to wreak havoc in vengeance.
A Tale of Two Sisters (2003) – Kim Jee-woon
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Bu hikaye RollingStone India dergisinin November 2023 sayısından alınmıştır.
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DANCE-FLOOR BLISS AND THE SEARCH FOR (POST-) HUMAN CONNECTION
Over the course of roughly a decade, CARIBOU, the electronic-leaning project from Canadian musician and composer Dan Snaith, has released intricate, sonically inventive records that cradle rhythm and history. On \"Home,\" from 2020's Suddenly, he coos softly alongside a frenetic flip of Gloria Barnes' 1971 single of the same name. There, the subtle cracks and gestures in his voice manage to breathe life into the digitally-manipulated sample. Caribou's music has so far thrived on this quality — Snaith's seemingly boundless musical curiosity and his ability to crystalize big ideas into euphoric moments of dance-floor bliss. It's why his choice to use artificial intelligence on his vocals for his latest album, Honey, feels like a misstep. Here, Snaith's voice is transformed in character and identity, at times creating revelatory moments, like on \"Come Find Me,\" where he's reimagined as a treacly-toned young woman, though in small enough doses for it to work. Elsewhere, like on the rap-adjacent \"Campfire,\" where Snaith renders himself as the sort of rapper you might hear on a Caribou track (think Definitive Jux vibes), the concept breaks down.
Get Closer: The Intimate Gaze of Films at NYFF62
A second intimacy arises between our lives and those unfolding on screen... and in setting their sights on exploring ordinary lives at close range, filmmakers at this year's New York Film Festival deepened that intimacy to great effect
Meet the Women DJs Shaping Global EDM
For years, men have led the electronic dance music (EDM) scene, but lately, women DJs have been shaking things up in every sense. These talented artists aren't just challenging gender norms—they're redefining the art of music production and live performance. With fresh styles and creativity, they're leaving a lasting impact on the EDM world, proving that the future of dance music is vibrant, inclusive, and thrilling.
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Everything Everything on Their India Debut and Writing 'Emotionally Interesting Music
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INDIA'S HIP HOP MOVEMENT GAINS MOMENTUM
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TINASHE 'I'VE BEEN IN THE GAME 10 YEARS.I'M NOT NEW TO THIS.I'M TRUE TO THIS'
The singer reached a new peak when her song ‘Nasty’ went wildly viral. Now, Tinashe is energized and ready for more
