A fantasy k-drama, albeit exceedingly implausible, may provide a refreshing break from mundane routine for an engaging viewing experience. Its artful narration, when combined with the surreal or similar elements as a central theme, or subject, could make the context look real. And it is the most profound thrill of all: to look forward to the inconceivable. The way we see these dramas depends on their arcs and characters, so fully realized that aspects of fantasy are seldom challenged.
They specialize in worldbuilding—creating imagined spaces. The King: Eternal Monarch (2020), a whirling chronicle of two parallel universes, is an analogous instance. As he enters the Republic of Korea (in a parallel reality), we witness King Lee Gon (Lee Min-ho) of the Kingdom of Corea facing Cop Jeong Tae-eul (Kim Go-eun), whom he recognizes with an ID card he had when his father was slain. On the other side, the assassin of Lee Ho (Lee Gon's father)—Lee Rim (Lee Jung-jin), Lee Gon's half-uncle—is rallying troops covertly while navigating the two divergent realms.
This drama is notable for creating a fictional setting with cogent characteristics— its past, present, and environment—in the kingdom of Corea. A far cry from the usual, its depiction of alternate spaces, times, and hypotheses indeed piques the imagination. It’s a brainteaser and incredibly unlikely in totality, but everything comes together in the epilogue. Ignoring some conflicting reviews and the flak it received for reportedly a few historical blunders, awe-inspiring performances, precise film craft, and a hypnotic OST lavishly highlight The King—a fantasy that fuels its great attraction as a magnificent retreat for the viewers.
Bu hikaye RollingStone India dergisinin July 2023 sayısından alınmıştır.
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Bu hikaye RollingStone India dergisinin July 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
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