“Rentaghost was camp," says actor Christopher Biggins, approvingly. “It was so theatrical, it was so outrageous. I think that’s why the kids loved it so much. I mean, what other show has a pantomime horse?”
“A technician once described it to me as ‘Plonky actors standing in a straight line, bawling their lines out front,’” recalls the show’s producer, Jeremy Swan, with a smirk. “Well, that’s what I wanted.” Swan directed episodes in each of the nine series, and was the producer for eight years.
Rentaghost debuted in 1976. Writer Bob Block’s pilot script was originally titled Second Chance, reflecting the original, more downbeat, premise of perpetual loser Fred Mumford (Ivor The Engine voice artist Anthony Jackson) trying to forge success in death, having failed to do so in life.
DEAD SERIOUS
In surprisingly bleak territory for a children’s slot, Fred was said to have drowned on a cross-Channel ferry trip, with his body never found. His long-suffering parents, not knowing that their returned son was dead, were seen bemused, frustrated and occasionally even traumatised by Fred’s attempts to keep both his afterlife and Rentaghost’s day-to-day misadventures a secret.
Offering ghostly services to the public, Fred was aided and abetted by colleagues Hubert Davenport (Michael Darbyshire), a fussy Victorian gent decked out in peach, and Timothy Claypole (Michael Staniforth), a hyperactive medieval jester. Darbyshire was a veteran of the Players Theatre and performed vintage music hall routines on the BBC’s The Good Old Days.
Bu hikaye SFX UK dergisinin May 2024 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye SFX UK dergisinin May 2024 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS