OPEN HOUSE
Female Singapore|January - February 2024
FOR THOSE WHO HAVE FELT LIKE THEY LACK THE SPACE AND FREEDOM TO BRING TO LIFE THEIR CREATIVE AMBITIONS, THERE NOW COULD BE A PLACE FOR YOU: LOCATED IN SCENIC JAPAN, RUN BY A SINGAPOREAN COUPLE WHO HAVE ARTISTIC SKILLS YOU COULD TAP, AND THAT COMES AT NO COST AND WITH NO EXPECTATIONS. KENG YANG SHUEN FINDS OUT MORE FROM THE FOLKS BEHIND THIS UTOPIA.
OPEN HOUSE

This is the stuff of a Studio Ghibli movie. Seven months ago in June 2023, Singaporean architect/art fabricator/artist Sean Gwee and his wife Ashley Hong, a freelance TV producer, purchased a three-story house located on the fringes of Okayama in western Japan, an idyllic city most famous for its postcard‑perfect gardens. They could have turned the place – an early Metabolist‑style holiday home that sits on verdant grounds spanning more than 21,000 sq ft built around 1968 – into their pied‑à‑terre (the couple, who have a two‑year‑old daughter, still call Singapore home and shuttle between the two countries). Instead, they had a far more benevolent idea.

Since September last year, people – originally only friends and acquaintances, but now strangers are welcome too – can stay on site for around two weeks or so at no cost. All Gwee and Hong ask for in return? That these guests spend the time there doing something that – get this – feeds into their creative daydreams. It explains the name that they’ve given to this heart‑warming if unusual set‑up: Isle of Dreams. Think of it as an artist residency if you will, except that interested parties need not necessarily be artists and there are no concrete expectations of works that are to be produced.

Says Gwee: “We see Isle of Dreams as a space where people can feel the safety and freedom needed to daydream a little bit. It’s not about building grand visions – the stakes here are lower – but, and I think this is really important, about healing and it just being enjoyable to be able to manifest some of your creative ideas and aspirations. Perhaps this stems from my art fabrication practice in which I work with people to chase their whims and pursue little wins instead of overthinking and trying to over-optimize results.”

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