The master builder
Country Life UK|November 27, 2024
Harald Altmaier's photographs of floral tableaux, as colossal in effort as in scale, recall 17th-century Dutch still lifes, but the inspiration behind them is far wider, as Carla Passino finds.
The master builder

A tiny piglet, soft pink with dark-brown stripes, sits on a vitrine shelf next to an aged urn, a candle and three frosted-glass vases. He's a model in search of a canvas, on which he will appear when inspiration strikes the artist, photographer Harald Altmaier. 'I saw him in Paris and had to have him. He's been here since May and will go in a woodland shot, I think, with ferns, mushrooms-and there will be a little mole coming out of the soil.'

Mr Altmaier's pictures are closer to paintings than classic photographs, portraying monumental floral arrangements against gilded mirrors, sleeping cherubs and swathes of damasks, silks and rich velvets that cascade in sinuous drapes, as butterflies, caterpillars or stag beetles frolic among the petals.

Reminiscent of 17th-century Dutch still lifes, the images often have a deeper meaning and hidden messages, with memento mori sprinkled across the foliage-a skull here, a spent candle there and some canvases calling for a game of 'spot the crow'. (A clue for the wintry Composition V: peer closely between the Savoy cabbage and the old man's beard).

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