IN OUR CONSUMERIST DYSTOPIA, where the spoils belong to the boldest players in the data business and corporations adopt the language of community activism, mass culture can feel inescapable. It's getting dicey to be different, wondering whether everyone else feels suffocated by political schisms, constricting social mores, and broken allyship pledges. How do you chart your course in a sea of sameness?
A decade or so ago, when flashing a streak of creativity within a mile of the radio netted you labels like alternative and mysterious, telemarketer Kelela Mizanekristos wrecked her car and spent the insurance money making a mixtape. She'd dabbled in a few genres already, having, she says, grown up "listening to R&B, jazz, and Björk." During a stint as a café singer, she expressed a love of standards she'd picked up from her father; later, she joined the rock band Dizzy Spells. But interest from listeners was elusive. It wasn't until she released "Go All Night," from her 2013 mixtape, Cut 4 Me, that her art started to connect, her rich vibrato buffeted by a maelstrom of clattering high hats and chopped-up vocals.
Kelela workshopped new songs reflecting her wide-ranging interests. Her effortless electronic R&B curios gestured to the abrasive sound design of the underground and the tuneful ease of contemporary soul. These were tiny revolutions, excursions into dance music in the years when artists caught hell for EDM moves, after "Turn Up the Music" but before "Break My Soul." On her 2017 debut full-length, Take Me Apart, she made pretty songs from odd materials, deconstructing dubstep wubs in "Blue Light" and using the Roland synth that gave "Jupiter" its name— an instrument famous for its blaring leads to play sultry chiptune instead.
Bu hikaye New York magazine dergisinin February 13 - 26, 2023 sayısından alınmıştır.
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Bu hikaye New York magazine dergisinin February 13 - 26, 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Early and Often: David Freedlander - Momentum vs. Machine The Trump and Harris campaigns battle it out for every last vote.
WIth two weeks left to go, the contours of the 2024 presidential election are clear: Both campaigns need voters who usually don’t vote, and Kamala Harris needs to bring the Democratic coalition, including its Trump-curious members, back home.While the Republican side plans to spend the remaining days of the contest trying to lure low-propensity voters to the polls, the Harris team will attempt to persuade voters of color to return to its side and will try to increase numbers among white voters in previously red suburbs.
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
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The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
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