FOR YEARS, scenic designer David Korins and director Alex Timbers thought it would be impossible to bring Here Lies Love to Broadway. The musical, built on a concept by David Byrne that sets the life story of former Philippine First Lady Imelda Marcos to disco beats (engineered by Fatboy Slim), was a hit when it premiered Off-Broadway at the Public Theater in 2013 and, later, in London and Seattle. But even so, it didn't seem fit for midtown. The problem: The show relies on turning a theater into a disco with ticket buyers included in the action. "I've heard DJs say there's an arc to the evening, taking the audience up and down and up again, and I thought, What if you could do that with a story and the audience is dancing at the same time?" Byrne said. (He'd also learned Marcos loved going to Studio 54.)
The creators had made over smaller spaces into clubs, but convincing a Broadway theater owner to permit major structural changes was harder. They "exhausted" their options in New York-warehouses and ballrooms, too. Nothing worked until a spot opened up at the Broadway Theatre. Owned by the Shubert Organization, it's one of Broadway's largest venues, hangarlike in size with the capacity to seat over 1,700. Here Lies Love is making a risky bet on the three-month renovation of its new home as well as on its concept at a time when Broadway prefers familiar IP. Korins, who worked on Beetlejuice and Hamilton, put it this way: "I've done some complicated and ambitious work on Broadway, and this is 100 times more complicated."
1. Strip down the house
Bu hikaye New York magazine dergisinin June 19-July 2, 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye New York magazine dergisinin June 19-July 2, 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten