SAMPHA SPEAKS in sketches, drawing out the general idea he’s angling at and circling back to add color and texture. You quickly understand how it could take this person years to locate the perfect sequence of words to encapsulate a complicated feeling, as his debut album, Process, does: “A nemesis, an enemy / You’re the crack inside the screen”; “Smashed this window in my heart / And I blamed you.” He’s a details man. Walking along Central Park West at the end of a balmy Juneteenth weekend, he was taken with the sound of an ice-cream truck’s jingle wandering off the correct key.
The English singer-songwriter and producer was in town for Satellite Business, bringing the concert series that began with two intimate gigs at London’s Hackney Church to the States, where he had not headlined a show in five years. He was anxious and feeling a bit rusty. “It’s been a long time since I performed my own music with a band,” he said as we circumvented the park the day before he took the stage at Red Hook’s Pioneer Works for the first of three consecutive nights. “I wanted to create a space that felt free, to try stuff out without the expectations of a huge headline show.” The objective was to introduce a new band, new songs, and thoughtful reconstructions of jams from his 2013 debut EP, Dual, and its more accomplished follow-up, the 2017 full-length Process, whose release, and Mercury Prize win, changed his life. That album was the realization of teenage dreams.
Bu hikaye New York magazine dergisinin August 28 - September 10, 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye New York magazine dergisinin August 28 - September 10, 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
The Water-Tower Penthouse
Gigi Loizzo and Angel Molina's apartment on the Grand Concourse in the Bronx looks out on Yankee Stadium.
