THE CRIES OF anti-feminism still swirling around the original Little Mermaid, released in 1989, seem to misunderstand that Ariel (voiced marvelously by Jodi Benson) is a young woman fueled by boundless curiosity. Her exploratory spirit and desire for adventure on the surface world find an outlet in Prince Eric, but he’s hardly the cause or the impetus for them. In the 2023 live-action update, Halle Bailey gets it; she foregrounds Ariel’s sweetness but maintains her desire to face the unknown, the two sides of her personality being stitched together with vitality and charm. It all comes through in her singing voice, which has a beautiful clarity of emotion in its range. But unfortunately, Bailey is completely failed by the dull, misguided production around her. As the studio has done with other live-action remakes, Disney betrays its own lack of imagination and an essential misreading of what made its children’s fare such a joy for audiences in the first place.
The marketing around the film, directed by Rob Marshall, would have you believe this Little Mermaid is a bold reimagining that prioritizes a modern, moral, even feminist schema missing from the original. But it doesn’t reimagine so much as curdle its predecessor’s story with mostly minor changes. It sticks to the sequence, scenes, and dynamics of the original, save for some overdone character exposition that’s meant to give the film greater emotional heft but just leaves the plot and dialogue leaden.
Bu hikaye New York magazine dergisinin June 05 - 18, 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye New York magazine dergisinin June 05 - 18, 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
The Water-Tower Penthouse
Gigi Loizzo and Angel Molina's apartment on the Grand Concourse in the Bronx looks out on Yankee Stadium.
