THE YEAR IS 2020,” the story begins. “Your heroine is working for a digital currency exchange that allows citizens of repressive regimes to move money anywhere in the world.” The author appears to be 25-year-old Caroline Ellison, writing in her now-deleted unsigned Tumblr diary a few months into the pandemic. (The Tumblr links directly to Ellison’s public Twitter account.) Protests against the Chinese government had engulfed Hong Kong, where she was working at the crypto-trading firm Alameda Research. “The authoritarian central government has just announced its plan to crack down on her scrappy, lovable city-state,” the story continues. “She must choose between staying and facing a future of increasingly harsh and technologically sophisticated censorship and repression, or venturing into the outside world.” At the end of the post, the narrator switches from the third person to the first. “Like yes, I took my current job with the plan of becoming a sci-fi protagonist. But even so this feels a little too on the nose.”
Bu hikaye New York magazine dergisinin November 21 - December 4, 2022 sayısından alınmıştır.
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Bu hikaye New York magazine dergisinin November 21 - December 4, 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
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