Nordland is sparsely populated, but Bodø, the Norwegian county’s largest town, is something of a mini metropolis. Visitors flock to this corner of the Arctic for its jaw-dropping scenery – it would be hard to forget the mountainous landscapes descending to crystal waters, jagged coastlines and the sight of native sea eagles – but increasingly it is culture that has become one of Bodø’s biggest draws.
Since it opened in 2014, the Stormen Kulturhus has swiftly become the beating heart of the town’s cultural life and it is the perfect home for a music festival-with-ambitions like Aria Borealis Bodø. We were invited for the final few days of events, which began the week before, and I caught up with Mari Giske from Nordic Baroque Scene, an organisation made up of some of Scandinavia’s top Baroque ensembles and the visionaries behind the nine days of events. Giske was evidently buzzing from the experience, and very satisfied with the results. ‘It is such a success and actually what I dreamed it would be,’ she tells me. ‘It has been an experiment, but really enjoyable for all the participants – the singers in the competition, the musicians and also the people who came to the course sessions, not to mention the orchestra for the 11-20 year-olds.’
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Bu hikaye BBC Music Magazine dergisinin September 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
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Crystal clear with plenty of punch
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