Reinhold Glière was one of those composers whose allegiance to tradition either courted controversy or, more often than not, neglect. Regarded as a great musical icon in his native Ukraine, his reputation elsewhere remains mixed. Detractors accuse him of being an epigone, writing music in the style of Tchaikovsky well into the 20th century. The American scholar Richard Taruskin went even further, describing him as ‘a doddering relic’.
Such disparagements ignore some incontestable aspects of Glière’s achievement. A convincing melodist and a superb technician, writing extremely attractive music, he was also one of the great survivors of the first half of the 20th century. Despite living through a period of political turmoil, he somehow managed to carve out a consistently successful career, both in Tsarist Russia and the Soviet Union. In the later part of his life, he was hailed as an ideal exponent of Socialist Realism, composing works that not only had an instantaneous appeal but, to the delight of the Soviet bureaucrats, also avoided any unwarranted contamination with Western modernism.
Bu hikaye BBC Music Magazine dergisinin December 2022 sayısından alınmıştır.
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Bu hikaye BBC Music Magazine dergisinin December 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Discovering Donizetti - Thanks to a two-year lockdown project, nearly 200 previously lost Donizetti songs will now see the light of day
Thanks to a two-year lockdown project, nearly 200 previously lost Donizetti songs will now see the light of day. For most people, undertaking a lockdown project meant learning to bake sourdough bread, getting fit with Joe Wicks, or taking up a language. But Professor Roger Parker, the eminent historian of Italian opera and emeritus professor at King's College London, had something far more ambitious in mind. He set about unearthing songs by Gaetano Donizetti - many of which had been lost since the composer's lifetime - and the enterprise turned into a two-year labour of love.
Composer of the month - Bohuslav Martinů - Though the Czech absorbed many influences from his exile abroad, his colourful music was always distinctively his own
The youngest of six, Bohuslav was a sickly child, and his father or older sister often had to carry him the 193 steps up to the tower. He was shy at school, too, though showed an early talent for the violin and gave his first concert at 14. By the following year, the future composer was off to the Prague Conservatoire to take the first, if faltering, steps towards a career in music.
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Before cinema, the wireless and coach trips cast them adrift, seaside orchestras were once a major holiday attraction. It's a dimension of music-making that once was integral to many a British holiday experience, yet now has all but vanished. The tide went out, you might say, on the professional seaside (or pier, or spa) orchestra many decades ago. In their glory days, though - perhaps a quarter-century on either side of 1900-these ensembles were everywhere, from Bridlington to Eastbourne, New Brighton to Worthing, Blackpool to Bexhill-on-Sea, Cleethorpes to Brighton... the list is astonishing.
Richard Morrison- Do Classical Works About Mortality Reveal More To Us As We Get Older? Is it inevitably true that, as we journey through the decades, we are better able to interpret or empathise with a profoundly death-obsessed masterpiece such as Schubert's Winterreise?
As we get older do we respond differently to that vast canon of music dealing with mortality? Is it inevitably true that, as we journey through the decades, we are better able to interpret or empathise with a profoundly death-obsessed masterpiece such as Schubert's Winterreise? Or do human beings possess such a flexible sense of empathy that we can relate to virtually any state of mind if it is evoked convincingly enough by a composer?
Do Notes Win Votes? - There are multi-dimensional ways that music is used by political campaigners and their supporters today.
It was a little bit of history repeating when Rishi Sunak announced the UK General Election to the heckling of his political opponents blasting out D:Ream's 'Things Can Only Get Better'.
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Federico Colli
\"At this moment in time we don't need more virtuosi. We need musicians to engage with the philosophy of music
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What happens when classical music-style levels of ambition, invention and sheer length are brought to pop? The answer, as Meurig Bowen explains, is Prog Rock
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Young musicians may be physically fit, but with age come the advantages of wisdom and experience
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