The Italian word legato roughly translates as 'smooth'. For guitarists, the legato techniques involves a series of slurs using hammer-ons, pull-offs and slides to create a smooth sound, void of a busy pick attack. This legato techniques works well in many genres, but particularly those where overdrive and distortion are used, which helps create sustained notes, which in turn help with fluidity and even out dynamics. The legato technique can be used alongside two-handed tapping, to add further reach and opportunities. Make sure that you check out next month's column where I will taking at look at the two-handed tapping technique.
Legato, due to its very nature, offers a different sound compared to other techniques such as alternate picking. It can be challenging at first because the fretting hand has a lot of responsibility. It calls for greater fretting accuracy in the first instance because notes have to fretted with more precision, striking the note with enough force while making sure that adjacent strings are muted sufficiently. Coordinating the fretting and picking hand can also be a struggle at first, but with practice it becomes so much easier and very satisfying.
Bu hikaye Guitar Techniques dergisinin August 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Guitar Techniques dergisinin August 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
PAT METHENY
Nick Mellor offers an insight into the jazz great's 16th-note lines, and his approach to improvising over static Minor and Dominant 7th chords.
MARTIN MILLER
Another fabulous JTC guitarist demonstrates his impressive techniques for us, focusing on an approach called Rythmically Dependent Alternate Picking.
THE KINKS' RAY DAVIES
This month Stuart Ryan takes a virtual trip into to North London to get to grips with the acoustic style of the original Muswell Hillbilly.
STEVE LUKATHER
This month Andy G Jones looks at the fluent soloing style of the LA guitarist who co-founded Toto in 1977 then ruled the 80s session scene.
JEFF HANNEMAN
This month Charlie Griffiths Shows No Mercy as he lays down the gauntlett with five shred licks from Slayer's undisputed master of attitude.
10CC
This month Martin Cooper checks out Eric Stewart and Lol Crème, whose distinctive styles helped give this UK band its unique sound.
T-BONE WALKER
From the heart of Texas to the cool West Coast, join David Gerrish on the journey of this hugely influential electric blues guitar innovator.
FERDINANDO CARULLI Andantino In G (Opus 241)
This month Declan Zapala goes back to basics to explore core classical technique with this emotive miniature by the pioneer of classical guitar playing.
THE CROSSROADS Steely Dan's Mu Chord
This month John Wheatcroft shows us how Donald Fagen and Walter Becker dressed their harmony to the 'nines, as he explores their trademark chord voicings.
GET YOUR MOJO WORKING! 60 Years Of Blues Licks
From the Kings to Jimi and Eric, Blackmore, Stevie Ray, Gary Moore, John Mayer, JoBo and beyond, Jon Bishop introduces six decades of blues guitar innovation.