The Eagles is one of the most successful bands to emerge from the 70s country-rock scene. The group's mixture of styles can be heard on countless hit songs that are embedded in the very fabric of popular culture. Indeed it’s hard to imagine rock music without The Eagles. As well as their wealth of hits including Take It Easy, One Of These Nights, Desperado, Lyin’ Eyes, and Tequila Sunrise, they are also responsible for some of the most iconic guitar performances ever committed to tape. The solo on Hotel California is seen as one of the greatest of all time, and is the perfect example of two guitar players totally in sync with each other. But listen to the rest of the song, the rhythm parts, the acoustic picking, the harmony counter melodies. It’s just incredible. But it isn’t just Hotel California. Throughout their immaculate catalogue of hits songs, the guitar plays such a huge part in both their sound and their appeal.
The Eagles were formed in 1971 by drummer and vocalist Don Henley and singer-guitarist Glenn Frey, with the band originally put together as the backing group for Linda Ronstadt. The original line-up also included Bernie Leadon on guitar and vocals, and bassist-vocalist Randy Meisner. Their blending of country and rock as well as their rich vocal harmonies helped to quickly establish the band’s unique sound.
Guitarist Don Felder was brought into the fold for guest solos on the 1974 album On The Border. This record has more of an overt rock sound as it showcased Felder’s tasteful and feel-drenched lead playing, with the opening track Already Gone featuring a guitar duel between Felder and Frey.
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Bu hikaye Guitar Techniques dergisinin April 2024 sayısından alınmıştır.
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THE MOODY BLUES
This month Stuart Ryan delves into the picking style of this British prog legend whose acoustic guitar has powered many a Moody Blues song.
WAYNE KRANTZ
This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
OPEN G TUNING
Open tunings are great fun and can help create exciting new ideas. Simon Barnard shows how to incorporate open G tuning into your playing.
RODRIGO GOUVEIA
Last month we featured Mateus Asato, and mentioned the importance of the neo-soul style in his playing. Here we turn to his fellow Brazilian, the master of neo-soul fusion.
MARK KNOPFLER
Our topic this month is a master craftsman as both guitar player and songwriter. His style is unique and his influence spreads far and wide.
U2
Martin Cooper checks out the chiming pedal delay tones of this stadium-filling band from Dublin, Ireland, and guitarist The Edge.
LUTHER ALLISON
It’s blues with a touch of soul this month, as David Gerrish explores the dynamic, expressive style of an often overlooked Chicago bluesman.
JOHANN KASPAR MERTZ Capriccio
This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
THE CROSSROADS Michael Landau
John Wheatcroft explores the playing of a session ace _ and blazing blues-rock maestro who graces the top-flight m band of singer-songwriting legend, James Taylor.
VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.
