HAILING FROM EAST Lansing, Michigan, the Verve Pipe’s Brian Vander Ark and his cohorts quickly built a following among a vibrant Midwest indie rock scene. The recording of 1993’s Pop Smear did nothing to slow the momentum of the young band, leading to their signing a deal with RCA, a label that saw the Verve Pipe as its ticket to the top of the alt-rock charts.
“I think the whole reason RCA wanted us, to be honest, was that they were severely lacking in rock bands at the time,” Vander Ark says. “They had Dave Matthews, who no one knew at the time, and they had ZZ Top, but they weren’t relevant at that point. We got a ton of attention from RCA because they had hung their hopes on us. I remember going into that album; I was living in a storage unit with all our gear because I’d been kicked out of my apartment. That’s when I started writing.”
With a record deal in hand and his creativity invigorated, Vander Ark put pen to paper, crafting the songs that would lead to the Verve Pipe becoming alt-rock darlings in the wake of Villains (1996). For the members of the Verve Pipe, the sudden success of Villains, linchpinned by the unexpected smash hit “The Freshmen,” brought forth incredible pressure to continue to deliver.
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Bu hikaye Guitar World dergisinin November 2023 sayısından alınmıştır.
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Already a subscriber? Giriş Yap
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