
It’s so identifiable that nearly every digital amp or guitar modeler would seem incomplete if there weren’t a preset titled “Streets” in its menu. Yet, from U2’s early recordings to his current rig, the Edge has always had that sound — whether he employed an EHX Memory Man Deluxe pedal or Korg SDD-3000 rack delays, and whether he merged longer and shorter repeats from these legendary delay units. As a result, you could almost say the Edge’s combined wash of delays pretty much revolutionized an “ambient” style of playing that’s mostly been attributed to him.
Bu hikaye Guitar World dergisinin July 2024 sayısından alınmıştır.
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Bu hikaye Guitar World dergisinin July 2024 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap

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