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IN THE SPRING of 1990, Bay Area thrashers Testament — considered by many metal fans to be the leading contender if the “Big 4” were to ever expand by one — spent seven weeks touring across America in support of their recently released third studio album, Practice What You Preach. The trek also featured another band who were on the rise at the time — the Tampa, Florida-based Savatage, whose lead guitarist, Criss Oliva, turned 27 on the tour’s 12th stop.
Oliva’s counterpart in Testament was former Joe Satriani student Alex Skolnick, who joined the group — then called Legacy — in 1984 at the tender age of 16. Despite his youth, Skolnick had achieved international recognition in the metal guitar community for his blistering solos on his band’s first three albums, records for which he co-wrote the majority of the music and even a handful of lyrics.
In 1992, however, Skolnick decided to leave Testament. “I felt like I wanted new experiences, musically and personally, and I just felt limited at the time,” he says, noting that he was only 23 when he gave notice. (He would rejoin in 2005.) “I wasn’t able to be in the band without feeling those limitations.”
Approximately one year later, Skolnick — who remained active in the Bay Area music scene after separating from Testament — was in the crowd at a local concert, where he struck up a conversation with an industry acquaintance. Oliva, he was told, had been killed by a drunk driver. “It was much like when I heard about the passing of [Metallica bassist] Cliff Burton — just word of mouth, and musicians were talking about it,” Skolnick says. “I was kind of in shock — like, ‘Wow, oh my God.’ It was just unthinkable.”
Bu hikaye Guitar World dergisinin October 2024 sayısından alınmıştır.
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Bu hikaye Guitar World dergisinin October 2024 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
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Caparison Dellinger-JSM V2
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Xotic XSS Super S-Style electric guitar
AS FUNNY AS this sounds, when a brand sends me a new guitar model outfitted with only one pickup, I say to myself, “That’s bold.” Releasing a spartan guitar like the Xotic XSS Super S-Style seems like such a throwback to a time when a guy with the initials EVH changed the entire guitar-world landscape by playing guitar with a solitary humbucker and making every guitarist around the globe realize that might be all we need.
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TC Electronic Plethora X1 TonePrint Loader
JUDGING BY THE abundance of effects that the TC Electronic Plethora X1 TonePrint Loader makes available to guitarists, it is obvious that TC knows what it means to have a plethora. Just the same, if having too much of a good thing brings you joy, then TC Electronic's Plethora will bring much delight with its many desirable and stellar-sounding effects - each offering a wealth of options.
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IT’S PRETTY DAMN cool that the very first commercially produced solidbody electric guitar, the Fender Esquire, can still kick serious butt today; you can’t say that about too many 75-year-olds. Many guitarists often forget that the Esquire came before the Telecaster and that a two-pickup version of the Esquire, which came a few months after the single-pickup version, was essentially the first Broadcaster/Nocaster/ Telecaster. But here I’m just going to focus on the single-pickup version.
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