Back in the annals of PRS history, its founder, Paul, became enamoured with the playing and tone of Texas bluesman David Grissom, a guitarist with a stellar roster of clients including The Allman Brothers, John Mellencamp, Chris Isaak and Bob Dylan. The blossoming tonerapport between David and Paul would lead to a number of Grissom signature products, commencing with the highly-esteemed PRS DGT guitar in 2007.
A conversation began between senior PRS amp designer Doug Sewell and Grissom regarding the sound of his four favourite historic amps: specifically the top-end of a Tweed deluxe, mid-control of a Hiwatt, the low-end of the ‘Plexi’ 50 with nods to an AC30, resulting in the 50-watt and 30-watt incarnations of the DG Custom amp in 2012. The 50-watt version had less of the power-stage saturation that David leans on for his gutsy Texan tone and was subsequently discontinued. Released earlier in 2024, however, is this keenly priced new DGT head, designed in the USA and – like the current Archon, MT 15 and 100, HDRX 20 and Sonzera 20 – made in Indonesia.
Pulling the amp out of its substantial packaging, an attractive blonde compactsized 15-watt single-channel amp head emerges with a helpful overlay card offering setting suggestions, followed by a sturdy black anodised, three-way red LED-illuminated footswitch controlling the boost, reverb and tremolo functions with stage-length MIDI-style cable, IEC mains cable and a brief instruction pamphlet to complete the deal.
Built around a Fender-style, downward hanging chassis in heavy gauge black anodised steel, the design aesthetic continues with the blonde Tolex and plush leather strap handle, while the salt ’n’ pepper basket-weave grille cloth subtly hints towards the Marshall influence. It’s a great-looking head that will likely receive approving glances from even the sniffiest amp aficionados.
Bu hikaye Guitarist dergisinin October 2024 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Guitarist dergisinin October 2024 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more