Artist: Al Di Meola, Paco de Lucía, John McLaughlin
Album: Saturday Night In San Francisco (earMUSIC)
The coming together of three giants of flamenco and jazz-fusion guitar on the 1981 live album Friday Night In San Francisco was an era-defining moment. Al Di Meola was one of the hottest players in the world of jazz fusion, while John McLaughlin was already an established master. With flamenco firebrand Paco de Lucía to complete the triangle, it was no wonder the trio's acoustic odyssey became a hit record. Few knew, however, that a second recording was made the following night, capturing yet more of the intensity and fire of their extraordinary meeting. Now, those recordings finally have been released, so we joined Al Di Meola to learn how it all went down...
How did these recordings get discovered after 40 years?
"We finished our tour back in 1980. It was a two-month tour, the initial one, and we finished in San Francisco. We felt like the last two shows were the hottest. We were really on fire, the audience was electric, and we wound up - for some reason that I don't know - mixing the record in White Plains, New York, which is north of New York City. In fact, for me, it is right across the river.
"So we were mixing at the studio, and we had all of the two-inch reel from the beginning of the tour. We taped a lot of the shows, almost all of them, with a truck [mobile studio] - I mean, professionally - so I have all of the German tapes, I have Belgian, I know I have Paris and almost all of the shows. Then also LA. So the guys asked me, 'What do we do with all the tapes now?' Everybody looked at one another. So I said, 'Well, if you want, you could just have them all brought over to my house because I have a lot of storage room here.'
Bu hikaye Guitarist dergisinin Summer 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Guitarist dergisinin Summer 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more