Meer were playing in Germany a couple of years ago when a man came up to them after the show. “He wanted to thank us, but he started crying,” says co-vocalist Johanne Kippersund Nesdal. “And he just cried and cried. He said, ‘You are making me do this.’ Getting that kind of reaction from a grown man makes you realise that your music is impacting people’s lives.”
It’s not surprising they provoked such a reaction. The Norwegian eight-piece’s music is big in every sense: melodically, emotionally, dramatically, marrying the intricacy and grand sweep of modern prog to the accessibility of pop. Even their name is a play on ‘Mer’ – the Norwegian word for ‘more’.
“We always want more,” jokes Eivind Strømstad, Meer’s guitarist and also Johanne’s husband.
The pair are speaking to Prog via Zoom from a room in the theatre that Nesdal and her brother and co-vocalist Knut’s parents own in the lakeside town of Hamar, 90 minutes north of Oslo (current productions: a summery spin on Shakespeare’s A Winter’s Tale and a version of Alice In Wonderland). Nesdal and Strømstad both work here. “He married into the family business,” says the singer.
Appropriately, there’s a sense of drama to Meer’s third album, Wheels Within Wheels. The uplifting rush of their music is powered by the Nesdal siblings’ distinctive voices: Johanne’s powerful and soaring, Knut’s lithe and melodic. The latter came fourth in the Norwegian heats for Eurovision in 2014. “We both love to sing, but he’s more into the glam, TV stuff than I am,” says Johanne.
Wheels Within Wheels doesn’t exactly set its sights on Eurovision, but it does come with an unashamed desire to balance complexity with catchiness.
“We wanted to write songs that people would have fun singing along with,” says Johanne. “Some of the songs are a little more pop-rocky. You can dance along to them.”
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Bu hikaye Prog dergisinin Issue 153 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
JAKKO M JAKSZYK
King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.
A Part & Yet Apart
Sheffield-based 80s proggers Haze have returned with a new studio album, The Water's Edge - their third since their 2013 comeback record, The Last Battle. Prog catches up with threequarters of the band to discuss Haze's DIY ethos, the curse of prog and playing to Cumbrian sheep farmers.
CONTROLLED AIRSPACE
He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.
On The Wing
Birds, break-ups, big choruses and the Charlie Chaplin effect can all be found on In Murmuration, the ninth album from Finland's Von Hertzen Brothers. But as they embrace their power pop influences, have the Finns cast off their prog wizard cloaks once and for all? Mikko von Hertzen talks about the Seattle influence, songwriting secrets and sax solos.
Fourth Dimension
The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.
Symphly The Best
In the 70s, Barclay James Harvest almost bankrupted themselves by performing with an orchestra, but, several decades on, they’re celebrating last year’s performance with the Slaithwaite Philharmonic, captured on their latest live record, Philharmonic! The Orchestral Concert. John Lees reminisces over the band’s ambitious early years and bassist Craig Fletcher fills Prog in on JLBJH’s upcoming “progtastic” double album.
We've Not Been Expecting You
The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.
FAR HORIZONS AND PANORAMIC AMBITIONS
Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.
'I mean, what is classical nowadays?'
Tony Banks reflects on his role as a 21st-century classical composer.
There Can Be Only One!
Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael Åkerfeldt and guitarist Fredrik Åkesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.