“Finding the right words was really difficult,” says Bruce Soord. The Pineapple Thief bandleader’s third solo album, Luminescence, finds Soord in an introspective, reflective mood. It’s an LP to slowly savour and absorb, qualities that may reflect its lengthy gestation as the music was written and recorded across a period from January 2021 to June 2023.
“It’s one of those things where I would dip in,” he says. “I’d work on it for a month or so and then be distracted with touring, Pineapple Thief, things like that.”
And songwriting isn’t a tap to be turned on and off at will.
“Sometimes it happens, sometimes it doesn’t,” he adds. “It’s one of those things you just can’t force. I spent months chasing my tail. I was writing loads of songs but none of it seemed to be very coherent. Even though I had all these ideas, it didn’t really come together until the beginning of this year. I gave myself a kick up the ass, went for a long walk, came back and realised what I had to do to finish the record.”
During the lockdowns, Soord performed solo livestreams with just an acoustic guitar and a looper pedal, an experience that helped him clarify his sound and identity as a solo artist outside The Pineapple Thief. The acoustic guitar is central to the sound of Luminescence, providing the backdrop for Soord’s musings and meditations on life, love and the tribulations of the modern world.
Even as the music was flowing, finding the right lyrics to express his thoughts remained a daunting part of the creative process.
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Bu hikaye Prog dergisinin Issue 145 sayısından alınmıştır.
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Already a subscriber? Giriş Yap
JAKKO M JAKSZYK
King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.
A Part & Yet Apart
Sheffield-based 80s proggers Haze have returned with a new studio album, The Water's Edge - their third since their 2013 comeback record, The Last Battle. Prog catches up with threequarters of the band to discuss Haze's DIY ethos, the curse of prog and playing to Cumbrian sheep farmers.
CONTROLLED AIRSPACE
He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.
On The Wing
Birds, break-ups, big choruses and the Charlie Chaplin effect can all be found on In Murmuration, the ninth album from Finland's Von Hertzen Brothers. But as they embrace their power pop influences, have the Finns cast off their prog wizard cloaks once and for all? Mikko von Hertzen talks about the Seattle influence, songwriting secrets and sax solos.
Fourth Dimension
The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.
Symphly The Best
In the 70s, Barclay James Harvest almost bankrupted themselves by performing with an orchestra, but, several decades on, they’re celebrating last year’s performance with the Slaithwaite Philharmonic, captured on their latest live record, Philharmonic! The Orchestral Concert. John Lees reminisces over the band’s ambitious early years and bassist Craig Fletcher fills Prog in on JLBJH’s upcoming “progtastic” double album.
We've Not Been Expecting You
The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.
FAR HORIZONS AND PANORAMIC AMBITIONS
Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.
'I mean, what is classical nowadays?'
Tony Banks reflects on his role as a 21st-century classical composer.
There Can Be Only One!
Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael Åkerfeldt and guitarist Fredrik Åkesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.