Dave Brock is in a good mood. Actually, scrub that: Dave Brock is in a very good mood. Unlike our previous encounter (see Prog 124) with Hawkwind’s founder and sole constant member that found him bemoaning what passed for his 80th birthday, Brock is back where he belongs and who he belongs with. And he loves every minute of it.
“We’re all here in the studio,” he says with no small amount of enthusiasm.
And who can begrudge him that? With Hawkwind’s previous two albums being recorded remotely via the less-than-exciting method of file sharing thanks to the global event that brought everything to a grinding halt – that’ll be 2020’s Carnivorous (released under the banner of Hawkwind Light Orchestra) and Somnia the following year – their latest and 35th studio album, The Future Never Waits, finds the band of Magnus Martin (guitars/vocals/ keys), drummer Richard Chadwick, bassist Doug MacKinnon and multiinstrumentalist Tim ‘Thighpaulsandra’ Lewis reunited to stand toe-to-toe in the creative environs of Dave Brock’s home studio on the grounds of his Devonshire farm.
“For this album, we’ve actually all been together,” Brock enthuses. “Being in a room together means we can make a song quite easily. We can come up with a riff, and from that riff we can get an idea and then someone else gets an idea and then it comes together.”
Bu hikaye Prog dergisinin Issue 139 sayısından alınmıştır.
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Bu hikaye Prog dergisinin Issue 139 sayısından alınmıştır.
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JAKKO M JAKSZYK
King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.
A Part & Yet Apart
Sheffield-based 80s proggers Haze have returned with a new studio album, The Water's Edge - their third since their 2013 comeback record, The Last Battle. Prog catches up with threequarters of the band to discuss Haze's DIY ethos, the curse of prog and playing to Cumbrian sheep farmers.
CONTROLLED AIRSPACE
He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.
On The Wing
Birds, break-ups, big choruses and the Charlie Chaplin effect can all be found on In Murmuration, the ninth album from Finland's Von Hertzen Brothers. But as they embrace their power pop influences, have the Finns cast off their prog wizard cloaks once and for all? Mikko von Hertzen talks about the Seattle influence, songwriting secrets and sax solos.
Fourth Dimension
The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.
Symphly The Best
In the 70s, Barclay James Harvest almost bankrupted themselves by performing with an orchestra, but, several decades on, they’re celebrating last year’s performance with the Slaithwaite Philharmonic, captured on their latest live record, Philharmonic! The Orchestral Concert. John Lees reminisces over the band’s ambitious early years and bassist Craig Fletcher fills Prog in on JLBJH’s upcoming “progtastic” double album.
We've Not Been Expecting You
The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.
FAR HORIZONS AND PANORAMIC AMBITIONS
Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.
'I mean, what is classical nowadays?'
Tony Banks reflects on his role as a 21st-century classical composer.
There Can Be Only One!
Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael Åkerfeldt and guitarist Fredrik Åkesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.
