Since joining Ghost Of The Machine in 2022, Yorkshire-based vocalist Charlie Bramald has kept himself busy. He's also released music with ambient proggers Nova Cascade, alt rock/prog hybrid Shadows On Mercury and Nine Skies, which has helped him leave an indelible imprint on the scene.
Now he's joined forces with former ex-This Winter Machine guitarist John Cook for Age Of Distraction, although he explains this was "in spite of myself, because I was already quite busy". Originally intended to be a Cook solo project exploring the guitarist's heavier side, it quickly evolved into an exciting new band that melds together melodic and progressive metal. He gives us the lowdown.
How did the Age Of Distraction come to fruition and who’s in the band?
John [Cook] founded it as an outlet for material that didn’t fit into This Winter Machine’s canon and it’s ended up as a full band project, with myself on vocals. You’ve got Mark Gatland [Hats Off Gentlemen It’s Adequate] on bass and keyboards, and Dom Bennison [ex-This Winter Machine] on drums, keyboards and production. We figured it would be a band when we went into the studio last year to record the first single, Compromised. It’d been really collaborative, writing had been really easy, and when you’re all on the same page you just want to go with it.
When did you and John connect?
Bu hikaye Prog dergisinin Issue 150 sayısından alınmıştır.
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Bu hikaye Prog dergisinin Issue 150 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
JAKKO M JAKSZYK
King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.
A Part & Yet Apart
Sheffield-based 80s proggers Haze have returned with a new studio album, The Water's Edge - their third since their 2013 comeback record, The Last Battle. Prog catches up with threequarters of the band to discuss Haze's DIY ethos, the curse of prog and playing to Cumbrian sheep farmers.
CONTROLLED AIRSPACE
He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.
On The Wing
Birds, break-ups, big choruses and the Charlie Chaplin effect can all be found on In Murmuration, the ninth album from Finland's Von Hertzen Brothers. But as they embrace their power pop influences, have the Finns cast off their prog wizard cloaks once and for all? Mikko von Hertzen talks about the Seattle influence, songwriting secrets and sax solos.
Fourth Dimension
The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.
Symphly The Best
In the 70s, Barclay James Harvest almost bankrupted themselves by performing with an orchestra, but, several decades on, they’re celebrating last year’s performance with the Slaithwaite Philharmonic, captured on their latest live record, Philharmonic! The Orchestral Concert. John Lees reminisces over the band’s ambitious early years and bassist Craig Fletcher fills Prog in on JLBJH’s upcoming “progtastic” double album.
We've Not Been Expecting You
The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.
FAR HORIZONS AND PANORAMIC AMBITIONS
Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.
'I mean, what is classical nowadays?'
Tony Banks reflects on his role as a 21st-century classical composer.
There Can Be Only One!
Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael Åkerfeldt and guitarist Fredrik Åkesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.
