“Take no shit!” vocalist Darran Charles yells at us through his webcam, pointing a finger. “That’s my one piece of advice,” he explains when we ask what he’s learned throughout his 14-year tenure as a member of Godsticks. “I actually never wanted to be in a band,” he says. The group’s formation was nothing more than a college project that Charles was forced into as part of the curriculum at the London Guitar Institute. As a module, he was expected to put together a performance with other members. “I didn’t like it at first because it was just nerve-racking,” he recalls, “I had to spend eight hours a day studying and practising and that.”
Prior to this, Charles had had dreams of composing music for other artists and remaining behind the curtain, but after a few live shows he decided that he could see himself on the stage instead. He dropped the “fantasy” of composing for others, gritted his teeth, and placed an advertisement for other musicians to join him.
“The setlist I put together had music from Zappa, George Benson, Steve Vai… a mad variety of musicians,” he laughs. “Just one person replied, that was it.”
That one person was Godsticks’ first bass player, Jason Marsh, and together he and Charles put together a setlist that Charles says they had no audience for.
“It was just to challenge ourselves. This is the music we like, we didn’t give a shit if we had an audience or not,” he remembers. Their search to complete the band continued, but their material limited the applications. “We went through about 8,000 drummers until we were able to find somebody who could play it,” Charles laughs, “I think we were called Multistorey Earthworm back then.”
Bu hikaye Prog dergisinin Issue 142 sayısından alınmıştır.
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Bu hikaye Prog dergisinin Issue 142 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
JAKKO M JAKSZYK
King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.
A Part & Yet Apart
Sheffield-based 80s proggers Haze have returned with a new studio album, The Water's Edge - their third since their 2013 comeback record, The Last Battle. Prog catches up with threequarters of the band to discuss Haze's DIY ethos, the curse of prog and playing to Cumbrian sheep farmers.
CONTROLLED AIRSPACE
He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.
On The Wing
Birds, break-ups, big choruses and the Charlie Chaplin effect can all be found on In Murmuration, the ninth album from Finland's Von Hertzen Brothers. But as they embrace their power pop influences, have the Finns cast off their prog wizard cloaks once and for all? Mikko von Hertzen talks about the Seattle influence, songwriting secrets and sax solos.
Fourth Dimension
The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.
Symphly The Best
In the 70s, Barclay James Harvest almost bankrupted themselves by performing with an orchestra, but, several decades on, they’re celebrating last year’s performance with the Slaithwaite Philharmonic, captured on their latest live record, Philharmonic! The Orchestral Concert. John Lees reminisces over the band’s ambitious early years and bassist Craig Fletcher fills Prog in on JLBJH’s upcoming “progtastic” double album.
We've Not Been Expecting You
The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.
FAR HORIZONS AND PANORAMIC AMBITIONS
Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.
'I mean, what is classical nowadays?'
Tony Banks reflects on his role as a 21st-century classical composer.
There Can Be Only One!
Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael Åkerfeldt and guitarist Fredrik Åkesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.