The unlikely formation of Silver Moth sounds like a pitch for a reality TV show or maybe even a badly told joke. What do you get if you take seven (almost) strangers from across the UK– including Stuart Braithwaite from Mogwai – and put them on an Outer Hebridean island for a week? The answer is the album Black Bay, a stunning, post-rock, six-track odyssey out on the Bella Union imprint. As a punchline, it’s disappointing, though the album itself is anything but.
Before we discuss the making of this mystical work of wonder, we need to go back to April 2021 where Braithwaite, his wife Elisabeth Elektra and members of Abrasive Trees, Burning House and Prosthetic Head are assembled in a car park at Ullapool, Stornoway, looking for adventure. Britain is just starting to emerge from a third national lockdown, and the wearing of masks is still mandatory. Nervously the group, many of whom have never met before, make their way via ferry to the Black Bay recording studio on the Isle Of Lewis. It’s owned by Pete Fletcher, whose engineering and mastering has graced albums by noiseniks Arrows Of Love, Bardo Pond, Soulsavers and Snapped Ankles.
“My mum’s from there and I’ve spent a lot of time there. It’s a very unique place,” says Braithwaite, sitting at home in Glasgow with the singer and musician Elektra, and their dog Prince outstretched on the sofa. “It’s a very stark landscape, and you feel very close to the Earth. You don’t have to go very far until you can’t see any evidence of human existence.”
Bu hikaye Prog dergisinin Issue 139 sayısından alınmıştır.
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Bu hikaye Prog dergisinin Issue 139 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
JAKKO M JAKSZYK
King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.
A Part & Yet Apart
Sheffield-based 80s proggers Haze have returned with a new studio album, The Water's Edge - their third since their 2013 comeback record, The Last Battle. Prog catches up with threequarters of the band to discuss Haze's DIY ethos, the curse of prog and playing to Cumbrian sheep farmers.
CONTROLLED AIRSPACE
He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.
On The Wing
Birds, break-ups, big choruses and the Charlie Chaplin effect can all be found on In Murmuration, the ninth album from Finland's Von Hertzen Brothers. But as they embrace their power pop influences, have the Finns cast off their prog wizard cloaks once and for all? Mikko von Hertzen talks about the Seattle influence, songwriting secrets and sax solos.
Fourth Dimension
The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.
Symphly The Best
In the 70s, Barclay James Harvest almost bankrupted themselves by performing with an orchestra, but, several decades on, they’re celebrating last year’s performance with the Slaithwaite Philharmonic, captured on their latest live record, Philharmonic! The Orchestral Concert. John Lees reminisces over the band’s ambitious early years and bassist Craig Fletcher fills Prog in on JLBJH’s upcoming “progtastic” double album.
We've Not Been Expecting You
The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.
FAR HORIZONS AND PANORAMIC AMBITIONS
Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.
'I mean, what is classical nowadays?'
Tony Banks reflects on his role as a 21st-century classical composer.
There Can Be Only One!
Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael Åkerfeldt and guitarist Fredrik Åkesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.