Eivør Pálsdóttir’s recent single, The Beloveds, begins with a deliberate stomp that could be the Great Heathen Army caving in a door with a battering ram, then comes a dark liturgy sung in Faroese with words that translate into English as: ‘In the cradle of life/Fire frolics/Licks the horizon…’. All the while, Eivør is throat singing ominously like a mythical siren in the water as we board the Stygian Ferry to Hades. The Beloveds no doubt commits every sin known to streaming as Adderall-minded listeners go on the lookout for easy ear candy, and yet – Daniel Ek be damned – it’s completely and utterly mesmerising.
The Beloveds is the opening track on Eivør’s latest album, The Last Kingdom – Destiny Is All, recorded with British film composers John Lunn and Danny Saul. The release coincides with Seven Kings Must Die, the movie version of the long-running Viking TV series, The Last Kingdom. The new soundtrack – containing music from and inspired by the saga – works as a sequel to the original score made with Lunn in 2018, with Saul brought on board recently to imbue Lunn’s mystical music and Pálsdóttir’s words and melodies with an undercurrent of atmospheric electronica. It’s a breathtaking mix of traditional folk and moody synth lines, a perfect landing pad for Eivør’s extraordinary voice.
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Bu hikaye Prog dergisinin Issue 140 sayısından alınmıştır.
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Already a subscriber? Giriş Yap
JAKKO M JAKSZYK
King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.
A Part & Yet Apart
Sheffield-based 80s proggers Haze have returned with a new studio album, The Water's Edge - their third since their 2013 comeback record, The Last Battle. Prog catches up with threequarters of the band to discuss Haze's DIY ethos, the curse of prog and playing to Cumbrian sheep farmers.
CONTROLLED AIRSPACE
He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.
On The Wing
Birds, break-ups, big choruses and the Charlie Chaplin effect can all be found on In Murmuration, the ninth album from Finland's Von Hertzen Brothers. But as they embrace their power pop influences, have the Finns cast off their prog wizard cloaks once and for all? Mikko von Hertzen talks about the Seattle influence, songwriting secrets and sax solos.
Fourth Dimension
The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.
Symphly The Best
In the 70s, Barclay James Harvest almost bankrupted themselves by performing with an orchestra, but, several decades on, they’re celebrating last year’s performance with the Slaithwaite Philharmonic, captured on their latest live record, Philharmonic! The Orchestral Concert. John Lees reminisces over the band’s ambitious early years and bassist Craig Fletcher fills Prog in on JLBJH’s upcoming “progtastic” double album.
We've Not Been Expecting You
The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.
FAR HORIZONS AND PANORAMIC AMBITIONS
Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.
'I mean, what is classical nowadays?'
Tony Banks reflects on his role as a 21st-century classical composer.
There Can Be Only One!
Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael Åkerfeldt and guitarist Fredrik Åkesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.
